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	<title>Culture of Resistance</title>
	<link>https://culture-of-resistance.eu</link>
	<description>Culture of Resistance</description>
	<pubDate>Tue, 09 Dec 2025 09:05:17 +0000</pubDate>
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		<title>Main</title>
				
		<link>https://culture-of-resistance.eu/Main</link>

		<pubDate>Fri, 05 Feb 2021 10:13:23 +0000</pubDate>

		<dc:creator>Culture of Resistance</dc:creator>

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		<description>EUROPEAN &#38;nbsp;CULTURE &#38;nbsp;OF &#38;nbsp;RESISTANCE &#38;nbsp;&#38;nbsp;
	The Arts of Resistance
A Creative Europe Project (CREA 2027)&#38;nbsp;
&#60;img width="4119" height="919" width_o="4119" height_o="919" data-src="https://freight.cargo.site/t/original/i/8a825b01c77d6a7fdd7f65c8b00d5dc7c101a6930564e8a841fe15cb31226dec/EN_Co-fundedbytheEU_RGB_WHITE-Outline.png" data-mid="217626838" border="0" data-scale="32" src="https://freight.cargo.site/w/1000/i/8a825b01c77d6a7fdd7f65c8b00d5dc7c101a6930564e8a841fe15cb31226dec/EN_Co-fundedbytheEU_RGB_WHITE-Outline.png" /&#62;

Association HASENHERZ, Vienna


	
	




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	<item>
		<title>ABOUT</title>
				
		<link>https://culture-of-resistance.eu/ABOUT</link>

		<pubDate>Fri, 05 Feb 2021 10:13:23 +0000</pubDate>

		<dc:creator>Culture of Resistance</dc:creator>

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	About

	



	EUROPEAN CULTURE OF RESISTANCE

	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Remembering the past is meaningful, but its impact on our agency is meaningful only in relation to the present and future. If we fail to reflect on and learn from past experiences, we are bound to be confounded time and time again. Remembering Genocide, or crimes against humanities &#38;nbsp;and its prevention are no exception. &#38;nbsp;

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; The European Culture of Resistance is an interdisciplinary, long-term initiative by Ruth Anderwald + Leonhard Grond that integrates artistic research, political and cultural youth education, and remembrance culture. The project fosters international collaboration among artists, scholars, cultural institutions, NGOs, and young people, creating co-creative environments to examine and counter fascism, antisemitism, racism, and all forms of othering.

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; By employing a co-creative, action research-driven methodology, the project explores the intersections of historical, cultural, social, and political dimensions of resistance. Its activities include artistic workshops, scholarly discussions, international youth exchanges, exhibitions, public interventions, and publications, developed in collaboration with universities, museums, and schools across Europe and beyond. These initiatives not only reflect on historical instances of oppression but also interrogate their legacies and ongoing manifestations.

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; The project has reached more than 4,500 people through workshops, exhibitions, and public interventions. It has been recognised&#38;nbsp;by the European Commission as a best-practice example for its innovative response to the COVID-19 crisis and as a Creative Europe best-practice project from Austria, underscoring its impact and exemplary approach to arts-based political education.

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; European Culture of Resistance is grounded in the principle that learning from history is only possible through research, critical analysis, and creative application. Artistic imagination serves as a medium for envisioning alternative futures, cultivating ethical and political awareness, and strengthening capacities for active resistance. In this way, political, artistic, and cultural education collectively enable young people to engage meaningfully with history while shaping practices of social justice in the present and future.

Ruth Anderwald + Leonhard Grond

Association HASENHERZ&#38;nbsp;


The Arts of Resistance (2024-2025) is&#38;nbsp;co-financed by the Creative Europe Programme of the European Union.

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Partner Institutions:
&#60;img width="430" height="128" width_o="430" height_o="128" data-src="https://freight.cargo.site/t/original/i/4f3a6a406adcdbf6a6444bf62ba40dd3a1dd21f648b0c449a0270f461000f806/HASENHERZ.gif" data-mid="98820530" border="0" data-scale="32" src="https://freight.cargo.site/w/430/i/4f3a6a406adcdbf6a6444bf62ba40dd3a1dd21f648b0c449a0270f461000f806/HASENHERZ.gif" /&#62;

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The pilot project Art Works! European Culture of Resistance and Liberation 2019-202&#38;nbsp;was co-financed by the Erasmus+ Programme of the European Union: 

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Partner Institutions:
&#60;img width="430" height="128" width_o="430" height_o="128" data-src="https://freight.cargo.site/t/original/i/4f3a6a406adcdbf6a6444bf62ba40dd3a1dd21f648b0c449a0270f461000f806/HASENHERZ.gif" data-mid="98820530" border="0" data-scale="32" src="https://freight.cargo.site/w/430/i/4f3a6a406adcdbf6a6444bf62ba40dd3a1dd21f648b0c449a0270f461000f806/HASENHERZ.gif" /&#62;
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&#38;nbsp;&#60;img width="354" height="111" width_o="354" height_o="111" data-src="https://freight.cargo.site/t/original/i/c9fbfe55ce27ebb37ce1ac9272aa620ab1ec636c877ebc34763ec99d06155add/Die-Angewandte-Logo_4C_30-39mm.gif" data-mid="98833011" border="0" data-scale="29" src="https://freight.cargo.site/w/354/i/c9fbfe55ce27ebb37ce1ac9272aa620ab1ec636c877ebc34763ec99d06155add/Die-Angewandte-Logo_4C_30-39mm.gif" /&#62; 

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&#60;img width="548" height="92" width_o="548" height_o="92" data-src="https://freight.cargo.site/t/original/i/9bcd99289bb3517be9b0bb35ce880c9ea50a0853ebac39b860c4e5ecc60d20a4/MSU.gif" data-mid="98820259" border="0" data-scale="38" src="https://freight.cargo.site/w/548/i/9bcd99289bb3517be9b0bb35ce880c9ea50a0853ebac39b860c4e5ecc60d20a4/MSU.gif" /&#62;&#38;nbsp;
 
&#60;img width="1455" height="385" width_o="1455" height_o="385" data-src="https://freight.cargo.site/t/original/i/8ce353f2a8023387dd36671a6c6d402128f3cb464ca16a43a9ab8ba4041afd37/logo_Melk.png" data-mid="98813066" border="0" data-scale="24" src="https://freight.cargo.site/w/1000/i/8ce353f2a8023387dd36671a6c6d402128f3cb464ca16a43a9ab8ba4041afd37/logo_Melk.png" /&#62;&#38;nbsp;&#38;nbsp;

Navigating Dizziness Together FWF-PEEK AR 598

The process was made possible by the generous support of

&#38;nbsp;&#38;nbsp;
&#38;nbsp;&#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; &#38;nbsp;
&#60;img width="1000" height="294" width_o="1000" height_o="294" data-src="https://freight.cargo.site/t/original/i/9e4e6c63478494261d68a0b0b608e507499e0e1ef1f6347c1d46f64b52565cdd/zukunftsfonds.gif" data-mid="98831790" border="0" data-scale="22" src="https://freight.cargo.site/w/1000/i/9e4e6c63478494261d68a0b0b608e507499e0e1ef1f6347c1d46f64b52565cdd/zukunftsfonds.gif" /&#62;
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Cooperational Partners:

&#38;nbsp;&#38;nbsp;&#38;nbsp;
&#60;img width="472" height="472" width_o="472" height_o="472" data-src="https://freight.cargo.site/t/original/i/5c727a2200bbd0a7eb886a9722e16e90dbbf2d38ae5e9465f90b6a402e9e31c5/FH_Logo_RGB_Online.jpg" data-mid="98813061" border="0" data-scale="10" src="https://freight.cargo.site/w/472/i/5c727a2200bbd0a7eb886a9722e16e90dbbf2d38ae5e9465f90b6a402e9e31c5/FH_Logo_RGB_Online.jpg" /&#62;
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&#60;img width="536" height="753" width_o="536" height_o="753" data-src="https://freight.cargo.site/t/original/i/082f07d7160be23dd9ec2b4e1d0ef2ddafcad711afce91d7a0878d2740e238f8/Presse_HM.jpg" data-mid="98449031" border="0"  src="https://freight.cargo.site/w/536/i/082f07d7160be23dd9ec2b4e1d0ef2ddafcad711afce91d7a0878d2740e238f8/Presse_HM.jpg" /&#62;

Background:
︎&#38;nbsp; &#38;nbsp; Binaifer Nowrojee: &#38;nbsp;Anti-Muslim hate and antisemitism are twin crises. We must confront them together, 2026

︎&#38;nbsp; &#38;nbsp; European Agency for Fundamental Rights: Jewish People’s Experiences and Perceptions of Antisemitism, 2024︎ &#38;nbsp; &#38;nbsp; UN News: Anti-Semitism ‘toxic to democracy’, 2019
︎ &#38;nbsp; &#38;nbsp;Council of Europe, Human Rights Education Youth Programme, 2019

︎&#38;nbsp; &#38;nbsp; Open Society Foundation: States of Change: Attitudes In Central And Eastern Europe 30 Years After The Fall Of The Berlin Wall, 2019

︎&#38;nbsp; &#38;nbsp; CNN poll: A Shadow over Europe, Anti-Semitism in Europe, 2018
︎ &#38;nbsp; &#38;nbsp; Addressing Anti-Semitism through Education, Guidelines for Policymakers, 2018























</description>
		
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	<item>
		<title>AIMS</title>
				
		<link>https://culture-of-resistance.eu/AIMS</link>

		<pubDate>Tue, 09 Feb 2021 11:46:36 +0000</pubDate>

		<dc:creator>Culture of Resistance</dc:creator>

		<guid isPermaLink="true">https://culture-of-resistance.eu/AIMS</guid>

		<description>
	
	Aims

	



	EUROPEAN CULTURE OF RESISTANCE
	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;On the intersection of youth work, current artistic practice, and political and cultural education, the practice-based project has set itself the goal of investigating cultural assets as means of resistance and liberation based on concrete and local examples and of reviewing historical works and their modes of action concerning the present, based on the thesis that learning from history for the present is only possible through independent research, critical analysis, and creative application. The power of imagination inherent in artworks (and their authors’ private struggles) encourages meeting the future with an inquiring and imaginative mind. By encouraging the participants to reflect on artworks from this period and then, in turn, to become artists themselves in the further course of the project, the project aims to open up a new perspective on the connection of culture and politics. 

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;In this process of research, critique and reflection, the participants will examine the historical works and, supported by professional artists, and move on to co-create artworks that connect historical developments to the here and now. Enabling such a process on the intersection of artistic research, activism, and cultural and political youth education is the central aim of this project. 

︎&#38;nbsp; &#38;nbsp; in starting the thought process of what could be a European culture of resistance.&#38;nbsp;
︎&#38;nbsp; &#38;nbsp; in the critical questioning of artworks as an effective means of resistance.
︎&#38;nbsp; &#38;nbsp; in imagining a differentiated, shared concept of the European future based on a shared understanding of local and international history, and the values that derive from it.
︎&#38;nbsp; &#38;nbsp; in the definition of an intersection of art, political youth education and remembrance work.
︎&#38;nbsp; &#38;nbsp; in the collaboration of artists and young people in co-creative processes on equal footing, within the framework of Human Rights Education (HRE) and contemporary artistic practices at the cutting edge.
︎&#38;nbsp; &#38;nbsp; in the establishment of a dynamic, sustainable, international network in the fields of artistic research, political education and art institutions.
︎&#38;nbsp; &#38;nbsp; for interdisciplinary process development in an international network.
︎&#38;nbsp; &#38;nbsp; by publishing the project findings in an international context and discourse.
	




&#60;img width="1200" height="1133" width_o="1200" height_o="1133" data-src="https://freight.cargo.site/t/original/i/8bcd35607ed803ab3abe2aa43a6a76b8dc9763d7072c984e4087d2b56f93f041/IMG_2302-1.jpg" data-mid="98298689" border="0"  src="https://freight.cargo.site/w/1000/i/8bcd35607ed803ab3abe2aa43a6a76b8dc9763d7072c984e4087d2b56f93f041/IMG_2302-1.jpg" /&#62;
© Anderwald + Grond



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	</item>
		
		
	<item>
		<title>PARTNERS</title>
				
		<link>https://culture-of-resistance.eu/PARTNERS</link>

		<pubDate>Wed, 10 Feb 2021 13:27:21 +0000</pubDate>

		<dc:creator>Culture of Resistance</dc:creator>

		<guid isPermaLink="true">https://culture-of-resistance.eu/PARTNERS</guid>

		<description>
	
	Partners

	



	EUROPEAN CULTURE OF RESISTANCE
	HASENHERZ or the Pleasures of Moving Images and Words, Vienna
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Since 2012, Ruth Anderwald and Leonhard Grond have been leading the association HASENHERZ or the Pleasures of Moving Images and Words, which hosts a nomadic screening- and discussion series based on Arnold Schönberg's Verein für musikalische Privataufführung. The HASENHERZ series has been a visiting event for two years at the Kulturzentrum bei den Minoriten Graz, one year at the Kunsthalle Wien, as well as at the Whitechapel Gallery London, the Videonale Bonn, the Europäisches Forum Alpbach, the Kunstraum LAKESIDE Klagenfurt, Station Service Belgrade, Center for Contemporary Art Tel Aviv, Festival Diagonale'17, Kunsthaus Graz, and the School for Independent Film. Aside from the development of the screening and discussion format in terms of audience development, artistic disciplines, and youth work, the association also publishes, curates, and realizes interdisciplinary works of art. The initiators, Ruth Anderwald + Leonhard Grond, have been working as a collective in the fields of visual art and artistic research since 1999. Their works are shown internationally, including Ecole cantonale d'art de Lausanne; Centre Pompidou, Paris; Himalayas Art Museum, Shanghai; Tate Modern, London; Herzliya Museum of Contemporary Art, mumok Vienna. Anderwald + Grond have been involved in youth work for many years, for example, in the Young Science program, in which they encourage young people to engage in art and artistic research.The Johannesburg Holocaust &#38;amp; Genocide Centre

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; The Johannesburg Holocaust &#38;amp; Genocide Centre is a place of memory, education, dialogue and lessons for humanity. The JHGC explores the history of genocide in the 20th century with a focus on the case studies of the Holocaust and the 1994 genocide in Rwanda. As a centre of memory, education, dialogue and lessons for humanity, the JHGC focuses on human rights issues such as prejudice, racism, ‘othering’, antisemitism, homophobia and xenophobia. Conscious of the dangers of indifference, apathy and silence, the JHGC urges its visitors to be an active voice against instances of hate speech and related human rights violations in their own communities. The JHGC also hosts regular public events and programmes, including temporary exhibitions, lectures, film screenings, commemorations, conferences and other special events, which explore various topics related to genocide and human rights.
Partners of the project The Arts of Resistance.

University of Applied Arts, Vienna
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; The University of Applied Arts Vienna takes on the challenge of positively influencing art, research and society. It continuously shapes and directs the present toward the future. Teachers and researchers, students, alumni, employees and partners unite as a collective that takes a stand for an open society, applying artistic and scientific competences as the key to furthering that goal by inventing new forms of work, education and art; by creating spaces for intellectual and creative endeavors, encouraging an open discourse that is both critical and empathic; by&#38;nbsp;researching and evaluating the challenges facing society; by exploring radical solutions and developing new ideas to co-design and cope with transformations in technology, media and society.&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; The complex challenges ahead will require cooperative and multi-faceted approaches. We are not looking for simple answers, but for new questions and creative strategies arising within the context of our day-to-day activity.
Museum of Contemporary Art, Zagreb
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; The Museum of Contemporary Art Zagreb is an internationally acclaimed museum with a focus on post-1950 contemporary art and artistic research. Since many years, the museum has been engaged in ambitious youth work and participated in the EU project Museum as Toolbox, which together with young people aimed to find out what a museum of contemporary art can look like in their eyes and what it has to do with contemporary life itself. In this project, the Museum in Zagreb will participate with a youth group, as well as contribute to the content, to administrative and exhibition activities within the resources of the Museum.

Braunschweig University of Art

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; The HBK Braunschweig is one of the leading art academies in Germany and, as the only state art academy in Lower Saxony, has a special responsibility for the development of art and culture as an indispensable component of a lively, self-reflective society capable of change. HBK Braunschweig also has a design department with independent research and teaching as well as scientific and educational research and teaching units and is an internationally orientated university with the right to award doctorates and habilitations. HBK Braunschweig aims to comprehensively develop, research and reflect on the potential of art and culture and to explore the tension between open-ended development and goal-orientated application in both practical and theoretical terms.

Partners of the project ART WORKS! European Culture of Resistance and Liberation.
Foundation wannseeFORUM Berlin
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; As an institution, the Foundation wannseeFORUM represents core democratic values. It is not affiliated with any party, religion, or interest group. We stand for cosmopolitanism, diversity and equal rights for all, regardless of gender, religion, social, or cultural origins. Our unique profile exists in order to consolidate political and cultural education. The wannseeFORUM Foundation works as a cooperative partner with other institutions, both at home and abroad. We view ourselves as a reliable partner, working in committee with other establishments and organizations. Together we help to implement projects and ideas, taking an active part in social discourse and present-day issues. Our educational resources are directed first and foremost towards youth, as well as adults working with youth. We see ourselves as experts from a diverse group of occupations, seeking to inspire and support young people, helping them to engage in critical discourse with the world around them. In doing so, we take their views and insights seriously. Mutual understanding is the prerequisite for a reciprocal learning process, which in turn leads to new insights. We are, however, not satisfied with tepid mutual accolades, but seek to foster a productive and sometimes confrontational working style. The arts and new media help make it easier for youth to present their own positions comprehensibly. As well as expanding cognitive skills, our seminars aim to promote growth and awareness in the realm of social and emotional education. We are rooted in modern adult education, and artists and theatre teachers are often participating as partners in the teaching/learning process. Advanced training is generally product-oriented, with a final presentation as the objective.


Foundation Between Bridges
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Between Bridges is a foundation for the advancement of democracy, international understanding, the arts, and LGBT rights which was established by Wolfgang Tillmans in 2017.


Haus der Kulturen der Welt, Berlin
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Haus der Kulturen der Welt (HKW) creates a forum for the contemporary arts and critical debates. In the midst of profound global and planetary transformation processes, HKW re-explores artistic positions, scientific concepts, and spheres of political activity, asking: How do we grasp the present and its accelerated technological upheavals? What will tomorrow’s diversified societies look like? And what responsibilities will the arts and sciences assume in this process? HKW develops and stages a program that is unique in Europe, blending discourse, exhibitions, concerts and performances, research, education programs and publications. Its projects initiate reflection processes and devise new frames of reference. In its work, HKW understands history as a resource for alternate narratives.&#38;nbsp;In its extraordinary, modernist congress-hall architecture, HKW enables new forms of encounter and opens up experiential spaces between art and discourse. Together with artists, academics, everyday experts, and partners across the globe, it explores ideas in the making and shares them with Berlin’s international audience and the digital public.

Museion, Museum of Modern and Contemporary Art, Bozlano
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Museion is a museum of contemporary art in the Italian Alps, which presents solo shows of top international artists whilst, at the same time, dedicating space to younger, up-coming artists. Museion is committed to being as open and approachable as possible for all and offers a rich programme of events for all ages for both experts and non-experts. Over the years, the museum has activated projects also beyond its exhibition spaces. For example, works from the collection and site-specific projects are presented in the Little Museion: Cubo Garutti an open, public exhibition space in the city’s suburbs. &#38;nbsp;Each site-specific project directly involves the local community and, more recently, in particular youths. An example is the project Liliana Moro, On Air, 2018, in which consisted of the artist working closely with a group of local youths to find ways for them to connect the peripheral area of Bolzano to the city centre and to the main Museion building. Since 2015 Museion has been building up a youth group, in which members can participate in artist workshops, studio visits, mini-jobs, behind the scenes, hands-on experiences and the chance to propose and realize projects at Museion.

The Center of Contemporary History Melk Memorial
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; The Center of Contemporary History Melk Memorial, supported by the association MERKwürdig(reMARKable), organizes a series of events against violence and oblivion, and is dedicated on the one hand to the scientific investigation of open questions on the history of the Melk concentration camp and the greater Melk area, and on the other hand to educational work at the memorial site, in the Erlauf Erinnertmuseum and in the greater Melk area. Another focus is the support of organisations of former prisoners and other visiting groups from Austria and abroad. The organisation and realization of the annual memorial service, as well as the administration and maintenance of the Melk concentration camp memorial site on behalf of the Federal Institute Mauthausen are further focal points of their activities. 



	





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HASENHERZ or the Pleasures of Moving Images and Words

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The Johannesburg Holocaust &#38;amp; Genocide Centre


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University of Applied Arts, Vienna

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Braunschweig University of Art










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Foundation Between Bridges

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Haus der Kulturen der Welt, Berlin


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Museion, museum of modern and contemporary art, Bolzano

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Center of Contemporary History Melk Memorial





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	<item>
		<title>TIMELINE</title>
				
		<link>https://culture-of-resistance.eu/TIMELINE</link>

		<pubDate>Sun, 14 Feb 2021 09:05:00 +0000</pubDate>

		<dc:creator>Culture of Resistance</dc:creator>

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	Timeline
	



	EUROPEAN CULTURE OF RESISTANCE
	
4 December 2025: Resist Together! Workshop Modes of Coexistence,&#38;nbsp;The Johannesburg Holocaust &#38;amp; Genocide Centre


27 November 2025: Publication&#38;nbsp;The Arts of Resistance, book launch at AIL, University of Applied Arts&#38;nbsp;︎ Book (PDF)&#38;nbsp;

May/June 2025: Exhibition at Museum of Contemporary Art Zagreb&#38;nbsp;︎ Exhibition

Spring 2025: Art in Public Space Braunschweig
October 26 - November 4 2024: Research Travel to Cape Town and Johannesburg


Autumn 2024: Local research on-site (Braunschweig, Vienna, Zagreb)

August 24 - September 2 2024: International Exchange and Workshops, University of Applied Arts Vienna&#38;nbsp;︎ Exchange Week

May - July 2024: Local research on-site (Braunschweig, Vienna, Zagreb)



May 2-4 2024: Multipliers’ meeting in Brauschweig

April 2024: Start of The Arts of Resistance, TAoR


March 20-21 2021: Workshop and Exchange Meeting at HKW, Haus der Kulturen der Welt, Berlin.&#38;nbsp;︎ Conference

October 10 - November 2020: Exhibition at MSU Museum of Contemporary Art, Zagreb.
July 2020: Internal and external evaluation of the project

June 18 2020 - September 27 2020: Exhibiton at Museion, Bozen.

May 9 2020, 5 pm: Art Works Performances Online stream of the commemoration and peace celebration. ︎ Stream

May 2020: Online youth meeting, May 3-11 2020. International youth exchange and workshops with artists; creation of artworks.

Winter 2020: Research phase of the youth groups on-site in exchange with artists and carers at the partner institutions.

January/February 2020: Evaluation of the multipliers’ meeting.

January 16-18, 2020: Multipliers’ meeting in Melk, Austria.

Autumn 2019:&#38;nbsp;Local research on-site (Berlin, Bolzano, Melk, Zagreb)
	





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© Anderwald + Grond



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	<item>
		<title>CONTACT</title>
				
		<link>https://culture-of-resistance.eu/CONTACT</link>

		<pubDate>Sun, 14 Feb 2021 15:19:46 +0000</pubDate>

		<dc:creator>Culture of Resistance</dc:creator>

		<guid isPermaLink="true">https://culture-of-resistance.eu/CONTACT</guid>

		<description>
	
	Contact

	



	EUROPEAN CULTURE OF RESISTANCE
	ARTISTIC DIRECTION, PROJECT LEAD
Association HASENHERZZVR&#38;nbsp;526970560

Ruth Anderwald + Leonhard GrondSchüttelstr. 21/14, 1020 Vienna
contact@anderwald-grond.at
www.hasenherz.at
++43 (699) 10984551

© All rights reserved&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; This page is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/.&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; The project team have made every effort to secure permission to reproduce the listed material, illustrations and photographs. We apologise for any inadvertent errors and omissions. Parties who nevertheless believe they can claim specific legal rights are invited to contact the project team.

	










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	<item>
		<title>BLOG</title>
				
		<link>https://culture-of-resistance.eu/BLOG</link>

		<pubDate>Tue, 09 Feb 2021 11:57:31 +0000</pubDate>

		<dc:creator>Culture of Resistance</dc:creator>

		<guid isPermaLink="true">https://culture-of-resistance.eu/BLOG</guid>

		<description>

	



	Blog

	



	EUROPEAN CULTURE OF RESISTANCE
	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; On this blog, you will find photos, outlines, notes, and thoughts that document the progress of the project. This action-research project researches, analyzes, and comprehends resistance from both historical and contemporary perspectives. This aim requires all participants to endure vulnerability, our own and those of others. As we realize that we are all vulnerable in this process, we also realize the community we form.&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Anti-Muslim hate and Antisemitism are twin crises. We must confront them together

Binaifer Nowrojee, 2026 (Read more)
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&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; The Arts of Resistance (TAoR) has been named a Best Practice Project by the Austrian Federal Ministry for Housing, Arts, Culture, Media and Sport and its Creative Europe Desk. Thanks to all, who made this possible! (Read more)
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Dec 4 2025
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Remembering the past is meaningful, but its impact on our agency is meaningful only in relation to the present and future. If we fail to reflect on and learn from past experiences, we are bound to be confounded time and time again. Remembering Genocide and its prevention are no exception.&#38;nbsp; Anchored in the interdisciplinary project The Arts of Resistance, Resist Together!, Modes of Coexistence seeks to develop a practical toolkit emerging from workshops in Johannesburg and Vienna. These workshops combine historical research, critical analysis, and co-creative artistic practice in a dynamic, collaborative process. On December 4, an intergenerational workshop took place at The Holocaust and Genocide Centre of Johannesburg with Barbara Staudinger from the Jewish Museum Vienna, Tali Nates and her team, and us, Ruth Anderwald and Leonhard Grond. It was a powerful day of inspiring exchange, and we are very much looking forward to the next steps.
&#60;img width="1000" height="909" width_o="1000" height_o="909" data-src="https://freight.cargo.site/t/original/i/f53fc616d6e9d3a2e77feaa483fa42d6b4814c0856cd79237867d007be0eb45b/Buch_02.jpg" data-mid="241593024" border="0"  src="https://freight.cargo.site/w/1000/i/f53fc616d6e9d3a2e77feaa483fa42d6b4814c0856cd79237867d007be0eb45b/Buch_02.jpg" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/b8ba3cfe4987b937ae67d51fa831f46bd1029ed3bcb7735a73a40796d033aef3/Buch_03.jpg" data-mid="241593025" border="0"  src="https://freight.cargo.site/w/1000/i/b8ba3cfe4987b937ae67d51fa831f46bd1029ed3bcb7735a73a40796d033aef3/Buch_03.jpg" /&#62;&#60;img width="1000" height="1036" width_o="1000" height_o="1036" data-src="https://freight.cargo.site/t/original/i/0cf221bee37779c9923b2d6360a5730195fb9bd98a16320e51cfa27083b84825/Buch_04.jpg" data-mid="241593026" border="0"  src="https://freight.cargo.site/w/1000/i/0cf221bee37779c9923b2d6360a5730195fb9bd98a16320e51cfa27083b84825/Buch_04.jpg" /&#62;&#60;img width="1000" height="535" width_o="1000" height_o="535" data-src="https://freight.cargo.site/t/original/i/2b10eb8365b9754816e1cbb06725eb6140b903326efde8742f12271eab5f5cfe/Buch_06.jpg" data-mid="241593028" border="0"  src="https://freight.cargo.site/w/1000/i/2b10eb8365b9754816e1cbb06725eb6140b903326efde8742f12271eab5f5cfe/Buch_06.jpg" /&#62;&#60;img width="1000" height="1222" width_o="1000" height_o="1222" data-src="https://freight.cargo.site/t/original/i/3433e61af08e037bfc62ef383fcbae851fd4eae12bfacab760135a426c7128f7/Buch_07.jpg" data-mid="241593029" border="0"  src="https://freight.cargo.site/w/1000/i/3433e61af08e037bfc62ef383fcbae851fd4eae12bfacab760135a426c7128f7/Buch_07.jpg" /&#62;Nov 27 2025
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Book Presentation at AIL Vienna with editors Ruth Anderwald + Leonhard Grond in conversation with the authors, participants and graphic designers HammerAlbrecht.&#38;nbsp;© eSeL.at, Joanna Pianka
    &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Resistance requires not only critical thinking, but also new aesthetic approaches. This project addresses this significant challenge.Ilija Trojanow, writer, translator and publisher
&#60;img width="1000" height="1431" width_o="1000" height_o="1431" data-src="https://freight.cargo.site/t/original/i/c8150ff9738611bb90ddb640316d854cf30986dd3d2f4bf0b80f3062b43c065e/VFMK_Arts-of-Resistance_Cover.jpeg" data-mid="239320967" border="0"  src="https://freight.cargo.site/w/1000/i/c8150ff9738611bb90ddb640316d854cf30986dd3d2f4bf0b80f3062b43c065e/VFMK_Arts-of-Resistance_Cover.jpeg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/e30746e1113f0fe439251dcbc6927afeacf784713b1c3214e16d83f6d044c678/IMG_5478.JPG" data-mid="239320896" border="0"  src="https://freight.cargo.site/w/1000/i/e30746e1113f0fe439251dcbc6927afeacf784713b1c3214e16d83f6d044c678/IMG_5478.JPG" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/3bb62a0ffb14d40594d3ede70bc191538ebc4f513f64d30583f538a9ee680200/IMG_5473.JPG" data-mid="239320895" border="0"  src="https://freight.cargo.site/w/1000/i/3bb62a0ffb14d40594d3ede70bc191538ebc4f513f64d30583f538a9ee680200/IMG_5473.JPG" /&#62;
Oct 13 2025&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; We are excited to share that our publication, The Arts of Resistance, has been printed and is set to be published at the end of November. We sincerely thank the teams at HammerAlbrecht and VfmK Verlag für moderne Kunst for their wonderful collaboration in bringing this publication to life.&#38;nbsp;You are welcome to order the book via this link, and we will also provide a PDF.&#38;nbsp;
photo © HammerAlbrecht
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; I would have loved to take part myself: To learn about historical fascism, to detect and recognise its current forms, and how, despite our different origins and strategies, we fundamentally belong to the same side. These days, the way frontlines are drawn is so unbearably ugly and banal, it seems not just reasonable to develop an art of resistance, it could also be beautiful.Eva Menasse, writer

June 30 2025&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
“Not to forget means to stay active, reach out to each other, and build a more just society. Together, we can do it.” – Participants of the project The Arts of Resistance for the virtual commemoration.&#38;nbsp;
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;May 8, 2025, marked the 80th anniversary of the unconditional surrender of the German Wehrmacht and the official end of the Second World War in Europe. On this day, the Mauthausen Committee Austria (MKÖ) held its thirteenth Festival of Joy at Vienna's Heldenplatz in memory of the victims and in celebration of liberation from Nazi terror.&#60;img width="1000" height="691" width_o="1000" height_o="691" data-src="https://freight.cargo.site/t/original/i/cc6a9da354bb6bc9a5fdc9763cfc77ac219dcb1f8fe5114bf48226a9d7bd3266/1_DSCF9962.jpg" data-mid="235537562" border="0"  src="https://freight.cargo.site/w/1000/i/cc6a9da354bb6bc9a5fdc9763cfc77ac219dcb1f8fe5114bf48226a9d7bd3266/1_DSCF9962.jpg" /&#62;&#60;img width="1000" height="730" width_o="1000" height_o="730" data-src="https://freight.cargo.site/t/original/i/560634594a65d7eaa1b2283a8a39561a981f683645e79790a3149fa53cd31c52/1_DSCF9995.jpg" data-mid="235537568" border="0"  src="https://freight.cargo.site/w/1000/i/560634594a65d7eaa1b2283a8a39561a981f683645e79790a3149fa53cd31c52/1_DSCF9995.jpg" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/bca8198b042dca58f237fb4bae785644e7b2a39ae1c5feac3fb884b23edf2a00/1_DSCF9975.jpg" data-mid="235537565" border="0"  src="https://freight.cargo.site/w/1000/i/bca8198b042dca58f237fb4bae785644e7b2a39ae1c5feac3fb884b23edf2a00/1_DSCF9975.jpg" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/8af9f832ef92c4b94c8327fbad2e697f4cc270910bbaeac04c21ed264e653d69/1_DSCF9924.jpg" data-mid="235537555" border="0"  src="https://freight.cargo.site/w/1000/i/8af9f832ef92c4b94c8327fbad2e697f4cc270910bbaeac04c21ed264e653d69/1_DSCF9924.jpg" /&#62;
May 10 2025
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Here are a few exhibition views from our exhibition at MSU Zagreb.&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; It was overwhelming, it was intense, it was a lot. We are all full of stories.Participant of The Arts of Resistance&#60;img width="1000" height="678" width_o="1000" height_o="678" data-src="https://freight.cargo.site/t/original/i/3761375540f0bdcdd6a37756ede648fe2a818e5c5484fe353c925e8e081bed84/Otvorenje-MSU51.jpg" data-mid="235536590" border="0"  src="https://freight.cargo.site/w/1000/i/3761375540f0bdcdd6a37756ede648fe2a818e5c5484fe353c925e8e081bed84/Otvorenje-MSU51.jpg" /&#62;&#60;img width="1000" height="722" width_o="1000" height_o="722" data-src="https://freight.cargo.site/t/original/i/4d6a47fce3a4f1497dcc72a4aad88b2c9cc35b77a4130fde8beef9a9febca836/Otvorenje-MSU40.jpg" data-mid="235536586" border="0"  src="https://freight.cargo.site/w/1000/i/4d6a47fce3a4f1497dcc72a4aad88b2c9cc35b77a4130fde8beef9a9febca836/Otvorenje-MSU40.jpg" /&#62;&#60;img width="1000" height="631" width_o="1000" height_o="631" data-src="https://freight.cargo.site/t/original/i/150e1da063fb8a367e5c5d1910605c38c30ef8d64cc58deeecc4c01295c26e44/Otvorenje-MSU54.jpg" data-mid="235536591" border="0"  src="https://freight.cargo.site/w/1000/i/150e1da063fb8a367e5c5d1910605c38c30ef8d64cc58deeecc4c01295c26e44/Otvorenje-MSU54.jpg" /&#62;&#60;img width="1000" height="672" width_o="1000" height_o="672" data-src="https://freight.cargo.site/t/original/i/457509372b5d9ba2569fb9d8c876e993a7a1b8538d10ba37cc79b3166bd8dd31/Otvorenje-MSU39.jpg" data-mid="235536585" border="0"  src="https://freight.cargo.site/w/1000/i/457509372b5d9ba2569fb9d8c876e993a7a1b8538d10ba37cc79b3166bd8dd31/Otvorenje-MSU39.jpg" /&#62;&#60;img width="1000" height="699" width_o="1000" height_o="699" data-src="https://freight.cargo.site/t/original/i/f408a04652194866f2a264debb277da057a1a2c475516bfaefa6c8cee21397f0/Otvorenje-MSU23.jpg" data-mid="235536584" border="0"  src="https://freight.cargo.site/w/1000/i/f408a04652194866f2a264debb277da057a1a2c475516bfaefa6c8cee21397f0/Otvorenje-MSU23.jpg" /&#62;&#60;img width="1000" height="765" width_o="1000" height_o="765" data-src="https://freight.cargo.site/t/original/i/f8b1489b40d9a450020567425f65493a9d2b4c3da8d57fdd6e17f042bc17e56b/Otvorenje-MSU09.jpg" data-mid="235536582" border="0"  src="https://freight.cargo.site/w/1000/i/f8b1489b40d9a450020567425f65493a9d2b4c3da8d57fdd6e17f042bc17e56b/Otvorenje-MSU09.jpg" /&#62;&#60;img width="1000" height="679" width_o="1000" height_o="679" data-src="https://freight.cargo.site/t/original/i/55fdfd9ef324f9a59fdf6b324bcf67cf1bd83b60c53253b02bc95c5e7079cbb2/Otvorenje-MSU42.jpg" data-mid="235536587" border="0"  src="https://freight.cargo.site/w/1000/i/55fdfd9ef324f9a59fdf6b324bcf67cf1bd83b60c53253b02bc95c5e7079cbb2/Otvorenje-MSU42.jpg" /&#62;&#60;img width="1000" height="802" width_o="1000" height_o="802" data-src="https://freight.cargo.site/t/original/i/fe323a2e78d37a762874a3ac3aa5eb9272858746ab88f8337ed56d1517087e13/Otvorenje-MSU57.jpg" data-mid="235536592" border="0"  src="https://freight.cargo.site/w/1000/i/fe323a2e78d37a762874a3ac3aa5eb9272858746ab88f8337ed56d1517087e13/Otvorenje-MSU57.jpg" /&#62;&#60;img width="1000" height="605" width_o="1000" height_o="605" data-src="https://freight.cargo.site/t/original/i/c595fc60cec47c189d053a440d2e0be1574cc15271679e61f68a7a630634d4a2/Otvorenje-MSU67.jpg" data-mid="235536595" border="0"  src="https://freight.cargo.site/w/1000/i/c595fc60cec47c189d053a440d2e0be1574cc15271679e61f68a7a630634d4a2/Otvorenje-MSU67.jpg" /&#62;&#60;img width="1000" height="770" width_o="1000" height_o="770" data-src="https://freight.cargo.site/t/original/i/adae9f95b3346ad174599d26cffc903e311281e9a535f5eb769cfb63f82fbaf5/Otvorenje-MSU60.jpg" data-mid="235536593" border="0"  src="https://freight.cargo.site/w/1000/i/adae9f95b3346ad174599d26cffc903e311281e9a535f5eb769cfb63f82fbaf5/Otvorenje-MSU60.jpg" /&#62;&#60;img width="1000" height="682" width_o="1000" height_o="682" data-src="https://freight.cargo.site/t/original/i/0d7a56a5bf70cfe43f0e058beb7d36c39d9b05149565d43096469d5bbcea3f4c/Otvorenje-MSU45.jpg" data-mid="235536589" border="0"  src="https://freight.cargo.site/w/1000/i/0d7a56a5bf70cfe43f0e058beb7d36c39d9b05149565d43096469d5bbcea3f4c/Otvorenje-MSU45.jpg" /&#62;&#60;img width="1000" height="717" width_o="1000" height_o="717" data-src="https://freight.cargo.site/t/original/i/d81d6e2d7f1e8c0c95424ede4f7c76e16e94d302e866930ac02ab87992ddb975/Otvorenje-MSU66.jpg" data-mid="235536594" border="0"  src="https://freight.cargo.site/w/1000/i/d81d6e2d7f1e8c0c95424ede4f7c76e16e94d302e866930ac02ab87992ddb975/Otvorenje-MSU66.jpg" /&#62;&#60;img width="1000" height="1306" width_o="1000" height_o="1306" data-src="https://freight.cargo.site/t/original/i/60e6f8288e05001f479313823b834d41b891d2e82e289e0820924f16129e9f34/001_86e3e772-2e47-4fd5-9294-697312ad77ed.jpg" data-mid="235536851" border="0"  src="https://freight.cargo.site/w/1000/i/60e6f8288e05001f479313823b834d41b891d2e82e289e0820924f16129e9f34/001_86e3e772-2e47-4fd5-9294-697312ad77ed.jpg" /&#62;
May 8 2025 &#38;nbsp;&#38;nbsp;

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Opening of The Arts of Resistance exhibition at the Museum of Contemporary Art Zagreb. Thank you to everyone for your engagement and consistency at this amazing journey.&#38;nbsp;The evening closed with a performance in front of Sanje Iveković's monument. &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Fascism: I sometimes fear...
I sometimes fear that people think that fascism arrives in fancy dress 
worn by grotesques and monsters&#38;nbsp;
as played out in endless re-runs of the Nazis. 
Fascism arrives as your friend. 
It will restore your honour,&#38;nbsp;
make you feel proud,&#38;nbsp;
protect your house,&#38;nbsp;
give you a job,&#38;nbsp;
clean up the neighbourhood,&#38;nbsp;
remind you of how great you once were,&#38;nbsp;
clear out the venal and the corrupt,&#38;nbsp;
remove anything you feel is unlike you...
It doesn't walk in saying, 
"Our programme means militias, mass imprisonments, transportations, 
war and persecution."
Michael Rosen
&#60;img width="1000" height="678" width_o="1000" height_o="678" data-src="https://freight.cargo.site/t/original/i/fbca1997cb735516fb388f719e7ff8e2f18be2c5f7e7d69afe56d0e04d1ac7e1/01_IMG_1934.jpg" data-mid="235534722" border="0"  src="https://freight.cargo.site/w/1000/i/fbca1997cb735516fb388f719e7ff8e2f18be2c5f7e7d69afe56d0e04d1ac7e1/01_IMG_1934.jpg" /&#62;&#60;img width="1000" height="750" width_o="1000" height_o="750" data-src="https://freight.cargo.site/t/original/i/b2dcdbd70abc74ff3c0d5730c1dd38c43eab5736d5903769a068423188f4d575/01_IMG_1943.jpg" data-mid="235534723" border="0"  src="https://freight.cargo.site/w/1000/i/b2dcdbd70abc74ff3c0d5730c1dd38c43eab5736d5903769a068423188f4d575/01_IMG_1943.jpg" /&#62;&#60;img width="1000" height="742" width_o="1000" height_o="742" data-src="https://freight.cargo.site/t/original/i/edb57cf480519f67fada8c238fc80d69f34a9940b0f750c02c89c84d631bf61c/01_IMG_1946.jpg" data-mid="235534724" border="0"  src="https://freight.cargo.site/w/1000/i/edb57cf480519f67fada8c238fc80d69f34a9940b0f750c02c89c84d631bf61c/01_IMG_1946.jpg" /&#62;&#60;img width="1000" height="681" width_o="1000" height_o="681" data-src="https://freight.cargo.site/t/original/i/a65ff1d5bd51e4e9d092627500eda7c2c20faa4b60934b613bce324aee17526b/01_IMG_2436.jpg" data-mid="235534725" border="0"  src="https://freight.cargo.site/w/1000/i/a65ff1d5bd51e4e9d092627500eda7c2c20faa4b60934b613bce324aee17526b/01_IMG_2436.jpg" /&#62;&#60;img width="1000" height="750" width_o="1000" height_o="750" data-src="https://freight.cargo.site/t/original/i/d979ba074777b08ff4363d00d0a1099ee9ee46cee0735a6278795b0915cd5403/01_IMG_2438.jpg" data-mid="235534726" border="0"  src="https://freight.cargo.site/w/1000/i/d979ba074777b08ff4363d00d0a1099ee9ee46cee0735a6278795b0915cd5403/01_IMG_2438.jpg" /&#62;&#60;img width="1000" height="968" width_o="1000" height_o="968" data-src="https://freight.cargo.site/t/original/i/66363884c0f9c4262b7b67f1337529a21e3620eadf1c64cbfa28257c9cc83cf5/01_IMG_1897.jpg" data-mid="235534719" border="0"  src="https://freight.cargo.site/w/1000/i/66363884c0f9c4262b7b67f1337529a21e3620eadf1c64cbfa28257c9cc83cf5/01_IMG_1897.jpg" /&#62;&#60;img width="1000" height="867" width_o="1000" height_o="867" data-src="https://freight.cargo.site/t/original/i/318e1593138ca8a8df6093dd3b09c17a435ad56d8565409ba3476b32b72e13ce/01_IMG_1914.jpg" data-mid="235534720" border="0"  src="https://freight.cargo.site/w/1000/i/318e1593138ca8a8df6093dd3b09c17a435ad56d8565409ba3476b32b72e13ce/01_IMG_1914.jpg" /&#62;

May 7 2025
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; After a year of dedicated discussion, research, and investigating resistance against fascisms, we are excited to arrive in Zagreb from Braunschweig and Vienna to reconnect with everyone. At the Museum of Contemporary Art Zagreb, we are preparing the exhibition and working on performances, and we are looking forward to the opening on May 8, 2025.
&#60;img width="1000" height="925" width_o="1000" height_o="925" data-src="https://freight.cargo.site/t/original/i/db7e1967cb6452c8176321b0f5d4adb6969d20734adb2ffe919f3bcc69001bbd/IMG_1510.jpeg" data-mid="229030521" border="0"  src="https://freight.cargo.site/w/1000/i/db7e1967cb6452c8176321b0f5d4adb6969d20734adb2ffe919f3bcc69001bbd/IMG_1510.jpeg" /&#62;&#60;img width="1000" height="920" width_o="1000" height_o="920" data-src="https://freight.cargo.site/t/original/i/af986fcf4b575043766ebfd93d8c77f737553100d1482fef4f220e1daa466c6d/IMG_1515.jpeg" data-mid="229030522" border="0"  src="https://freight.cargo.site/w/1000/i/af986fcf4b575043766ebfd93d8c77f737553100d1482fef4f220e1daa466c6d/IMG_1515.jpeg" /&#62;&#60;img width="1000" height="548" width_o="1000" height_o="548" data-src="https://freight.cargo.site/t/original/i/4095f857596f7b9f85234805811357957d045fc97417ee7da175cbea979ddafc/IMG_1539.jpeg" data-mid="229030524" border="0"  src="https://freight.cargo.site/w/1000/i/4095f857596f7b9f85234805811357957d045fc97417ee7da175cbea979ddafc/IMG_1539.jpeg" /&#62;&#60;img width="1000" height="740" width_o="1000" height_o="740" data-src="https://freight.cargo.site/t/original/i/38cb413a0c450e57a83d0d1ddc884385aceab22ad4c6ee884c48c7301ceec5c3/IMG_1519.jpeg" data-mid="229030523" border="0"  src="https://freight.cargo.site/w/1000/i/38cb413a0c450e57a83d0d1ddc884385aceab22ad4c6ee884c48c7301ceec5c3/IMG_1519.jpeg" /&#62;&#60;img width="1000" height="976" width_o="1000" height_o="976" data-src="https://freight.cargo.site/t/original/i/2094e8dc163d7183223a052421f11a561380970465b17375c4f510cc5c8451f4/IMG_1613.jpeg" data-mid="229030525" border="0"  src="https://freight.cargo.site/w/1000/i/2094e8dc163d7183223a052421f11a561380970465b17375c4f510cc5c8451f4/IMG_1613.jpeg" /&#62;&#60;img width="879" height="1000" width_o="879" height_o="1000" data-src="https://freight.cargo.site/t/original/i/69f3f7f634189e00d423328356683389043fa9f099a6ef3824b4981bdd596774/IMG_1620.jpeg" data-mid="229030526" border="0"  src="https://freight.cargo.site/w/879/i/69f3f7f634189e00d423328356683389043fa9f099a6ef3824b4981bdd596774/IMG_1620.jpeg" /&#62;&#60;img width="1000" height="590" width_o="1000" height_o="590" data-src="https://freight.cargo.site/t/original/i/6379b49fa89602cbb1ae8761b6970aaade8d9666b6d6183afbf5492bcec06a66/IMG_1621.jpeg" data-mid="229030527" border="0"  src="https://freight.cargo.site/w/1000/i/6379b49fa89602cbb1ae8761b6970aaade8d9666b6d6183afbf5492bcec06a66/IMG_1621.jpeg" /&#62;March 1 to March 7 2025
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; At the International Design Week at the Holon Institute of Technology, we had the opportunity to conduct an anti-fascism workshop with students and explore design prototypes inspired by discussions around Umberto Eco’s 14 characteristics of fascism. We truly appreciated the invitation and the inspiring conversations.
&#60;img width="1200" height="665" width_o="1200" height_o="665" data-src="https://freight.cargo.site/t/original/i/49d6bddba7fea8f3db414ca0ade9ab39230a407803671d1bc5398cf50688ff22/IMG_2294.jpeg" data-mid="224964864" border="0"  src="https://freight.cargo.site/w/1000/i/49d6bddba7fea8f3db414ca0ade9ab39230a407803671d1bc5398cf50688ff22/IMG_2294.jpeg" /&#62;&#60;img width="1200" height="539" width_o="1200" height_o="539" data-src="https://freight.cargo.site/t/original/i/cc77aa0121e27e8ccbd5ba21cd829877a2b2a2eb4cc1ade001e33f776183becd/IMG_2296.jpeg" data-mid="224964866" border="0"  src="https://freight.cargo.site/w/1000/i/cc77aa0121e27e8ccbd5ba21cd829877a2b2a2eb4cc1ade001e33f776183becd/IMG_2296.jpeg" /&#62;&#60;img width="1200" height="1121" width_o="1200" height_o="1121" data-src="https://freight.cargo.site/t/original/i/7f02099f611df78e59f1264dcbdce8a5cbbec96852f738b6371262cde903e4a7/IMG_2295.jpeg" data-mid="224964865" border="0"  src="https://freight.cargo.site/w/1000/i/7f02099f611df78e59f1264dcbdce8a5cbbec96852f738b6371262cde903e4a7/IMG_2295.jpeg" /&#62;

January 15 2025
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; In Vienna, we are currently in the phase of prototyping and testing various ideas for the exhibition. Through a collaborative effort, we create something mutually beneficial together as a united force, sharing responsibility and ownership of whatever is created.&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Co-Creation is a set of processes and working methods and approaches that seek to generate change.


 ︎︎︎ It takes place ‘with’ and not ‘to’
 ︎︎︎ It has not set outputs but is outcome focussed
 ︎︎︎ It focuses on the ‘how’ and not the ‘what’
 ︎︎︎ It is process driven not product driven
 ︎︎︎ It may be facilitated but leadership shifts
 ︎︎︎ It may use art to generate changes but is likely to apply to all stages of programme development, design and evaluation
 ︎︎︎ It shifts agency and power and challenges privilege
 ︎︎︎ It brings partners together on an equal footing
 ︎︎︎ It is relational and not transactional
 ︎︎︎It empowers and includes&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Excerpt from the report by Considering Co-Creation, Heart of Glass &#38;amp; Battersea Art Centre.
&#60;img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/b9ed0f42ea3b47ebb43259700a4563ae80232e5866fe19c180dd8b626cd6619d/2024_Martin_Krenn_Foto_Gabriel_Anastasescu_1_.jpeg" data-mid="224276255" border="0"  src="https://freight.cargo.site/w/1000/i/b9ed0f42ea3b47ebb43259700a4563ae80232e5866fe19c180dd8b626cd6619d/2024_Martin_Krenn_Foto_Gabriel_Anastasescu_1_.jpeg" /&#62;
January 7 2025&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Interview with Prof. Martin Krenn, PhD on the intergenerational artistic research project The Arts of Resistance. (German only, photo:&#38;nbsp;Gabriel Anastasescu)
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December 12 2024
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; The Women to Women collective uses art as a way to bring together women who want Croatia to be their home and women for whom Croatia is already their home, in order to facilitate integration into a new community that is constantly developing. The idea of the project is to create a safe and intimate space for women in which they exchange ideas, problems, solutions or simply spend time together. The Youth Club visited the Live Atelier on December 12, 2024. and worked on the process of preparing wild clay for further work by women in the Atelier while discussing the experiences of the women who hosted us.

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Can Art Fight Fascism?&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Justin Kaushall considers Adorno’s argument that radical art radically changes consciousness. Read more.&#38;nbsp;
&#60;img width="1000" height="910" width_o="1000" height_o="910" data-src="https://freight.cargo.site/t/original/i/7c54d190215436b96e9ab37b1c4a1ffa91c976c7d691169060d6e1aedcbd0730/001_Wilhelm-Bracke-Gesamtschule_Foto_Martin-Krenn.jpg" data-mid="223166421" border="0"  src="https://freight.cargo.site/w/1000/i/7c54d190215436b96e9ab37b1c4a1ffa91c976c7d691169060d6e1aedcbd0730/001_Wilhelm-Bracke-Gesamtschule_Foto_Martin-Krenn.jpg" /&#62;&#60;img width="1000" height="777" width_o="1000" height_o="777" data-src="https://freight.cargo.site/t/original/i/7c7c0a2298551418bc01cb86ccb6fa0a9ea879912ab2b5721a8e9a02c4f34246/002_Wilhelm-Bracke-Gesamtschule_Foto_Martin-Krenn.jpg" data-mid="223166422" border="0"  src="https://freight.cargo.site/w/1000/i/7c7c0a2298551418bc01cb86ccb6fa0a9ea879912ab2b5721a8e9a02c4f34246/002_Wilhelm-Bracke-Gesamtschule_Foto_Martin-Krenn.jpg" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/d0c6b7bde239bf94e3ba5760af9f2c422c60f81a3a87b3f855a1ef8574f3a874/003_Wilhelm-Bracke-Gesamtschule_Foto_Martin-Krenn.jpg" data-mid="223166423" border="0"  src="https://freight.cargo.site/w/1000/i/d0c6b7bde239bf94e3ba5760af9f2c422c60f81a3a87b3f855a1ef8574f3a874/003_Wilhelm-Bracke-Gesamtschule_Foto_Martin-Krenn.jpg" /&#62;December 6 2024
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Today we had a wonderful opening with hundreds of school students, teachers, an amazing school band, activists from Bündnis gegen Rechts – Braunschweig (Alliance against the right – Braunschweig), Rote Falken, and Omas gegen Rechts (Grandmas against the right) to unveil our large version of the modular sculpture for democracy and against fascism in the Wilhelm Bracke Gesamtschule Auditorium.&#38;nbsp;The motifs on this sculpture were created by school students as part of two 90-minute workshops at Wilhelm Bracke Gesamtschule, IGS Querum, Gymnasium Neue Oberschule and Realschule Georg-Eckert-Straße.&#38;nbsp;The sculpture and the workshops were designed and realised by the art education department of the FREIE KUNST Institute at the Braunschweig University of Fine Arts under the direction of Prof. Martin Krenn in cooperation with RAHM Architects as part of the EU project The Arts of Resistance.&#38;nbsp;

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Participating students from HBK Braunschweig: Maria Ammann, Henadzi Arkhipau, Paul-Can Atlama, Dana Crasser, Natascha Faber, Xiaoming Huang, Fiona Jassmann, Nelly Khabipova, Laetitia Lentz, Hye-Hyun Kim, Merve Gisou Rosenthal, Daphne SchüttkemperCooperation partners in Braunschweig: „Demokratie leben!“ Braunschweig and VHS Braunschweig Content support and networking with schools: Anna-Sophie Schröder
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December 2 2024&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; We have just begun the design process for our publication and look forward to collaborating with Daniel Hammer.
&#60;img width="1000" height="748" width_o="1000" height_o="748" data-src="https://freight.cargo.site/t/original/i/50673a328295d413c4b2926088cb45894c5124c684850b26baf4cb238cdbdfcd/01_Foto_Martin-Krenn_2024.jpg" data-mid="222815976" border="0"  src="https://freight.cargo.site/w/1000/i/50673a328295d413c4b2926088cb45894c5124c684850b26baf4cb238cdbdfcd/01_Foto_Martin-Krenn_2024.jpg" /&#62;&#60;img width="1000" height="748" width_o="1000" height_o="748" data-src="https://freight.cargo.site/t/original/i/84f9352989342d509c129f5d39411a719f0823b45bc82c89418b58850e3aa74d/03_Foto_Martin-Krenn_2024.jpg" data-mid="222815978" border="0"  src="https://freight.cargo.site/w/1000/i/84f9352989342d509c129f5d39411a719f0823b45bc82c89418b58850e3aa74d/03_Foto_Martin-Krenn_2024.jpg" /&#62;&#60;img width="1000" height="748" width_o="1000" height_o="748" data-src="https://freight.cargo.site/t/original/i/8ceed65cdc6e5042d344997e6a2a7f34da83c5090b39bc1aa38325b9f898a3d0/02_Foto_Martin-Krenn_2024.jpg" data-mid="222815977" border="0"  src="https://freight.cargo.site/w/1000/i/8ceed65cdc6e5042d344997e6a2a7f34da83c5090b39bc1aa38325b9f898a3d0/02_Foto_Martin-Krenn_2024.jpg" /&#62;&#60;img width="1000" height="751" width_o="1000" height_o="751" data-src="https://freight.cargo.site/t/original/i/7f5d6cd11e496fe23bb0a3e9840200156e1f7d824c806c64864c60a9751957ab/04_Foto_Martin-Krenn_2024.jpg" data-mid="222815979" border="0"  src="https://freight.cargo.site/w/1000/i/7f5d6cd11e496fe23bb0a3e9840200156e1f7d824c806c64864c60a9751957ab/04_Foto_Martin-Krenn_2024.jpg" /&#62;&#60;img width="1000" height="750" width_o="1000" height_o="750" data-src="https://freight.cargo.site/t/original/i/5834e94ced20d5a232c34e1e8037447ec0708720629af4e28d550519d5fde134/05_Foto_Martin-Krenn_2024.jpg" data-mid="222815980" border="0"  src="https://freight.cargo.site/w/1000/i/5834e94ced20d5a232c34e1e8037447ec0708720629af4e28d550519d5fde134/05_Foto_Martin-Krenn_2024.jpg" /&#62;

November 29 2024&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; We, the group from HBK Braunschweig, aim to realise an anti-fascism project in Braunschweig in collaboration with schools. In cooperation with Living Democracy! Braunschweig and Anna-Sophie Schröder from the VHS Braunschweig, four Braunschweig schools could be won over. In the summer semester of 2024, students of Zusatzqualifikation Kunstvermittlung (supplementary qualification art education/mediation) held two 90-minute workshops at the Wilhelm Bracke Comprehensive School, the IGS Querum, the Neue Oberschule High School and the Georg-Eckert secondary school. As part of these workshops, motifs for a modular anti-fascism sculpture emerged. In the first workshop at the schools, the students set up three stations in the classroom on the topics Braunschweig during the Nazi era, Art against Fascism and Braunschweig today. Around the tables of these stations, on which there were photos of former Nazi locations in Braunschweig, printed social media posts of Braunschweiger neo-Nazis and anti-fascist art from the classic avant-garde, the students discussed with the school students the current state of democracy and the Situation in Braunschweig. The results of this workshop were summarized in short terms which became the starting point for designing the motifs in the follow-up workshop. A selection of terms can also be found as printed text on the sculpture. In the second workshop, the school students finally drew the motifs for the anti-fascism sculpture. The students provided them with advice and support in their role as aspiring visual artists.


&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; The technical construction of the modular sculpture was constructed in collaboration with RAHM Architects. The sculpture was unveiled and installed in the IGS Querum schoolyard in November 2024. In December 2024 it will be presented in the auditorium of the Wilhelm Bracke Comprehensive School, in January/February 2025 in the entrance area of the VHS Braunschweig and in May 2025 in the Museum of Contemporary Art Zagreb as part of TAoR's final exhibition. (Martin Krenn)&#38;nbsp;

&#60;img width="1000" height="790" width_o="1000" height_o="790" data-src="https://freight.cargo.site/t/original/i/c0983c2b7666f77881878701223c2a419f65dc00253cdcd3f6cb11a774345afb/IMG_0756.jpeg" data-mid="221562635" border="0"  src="https://freight.cargo.site/w/1000/i/c0983c2b7666f77881878701223c2a419f65dc00253cdcd3f6cb11a774345afb/IMG_0756.jpeg" /&#62;&#60;img width="1000" height="707" width_o="1000" height_o="707" data-src="https://freight.cargo.site/t/original/i/cb80561322308588433ad29a17c59ec22559f571a69f904d6e5b79ac8d92a3d4/IMG_0747.jpeg" data-mid="221562633" border="0"  src="https://freight.cargo.site/w/1000/i/cb80561322308588433ad29a17c59ec22559f571a69f904d6e5b79ac8d92a3d4/IMG_0747.jpeg" /&#62;
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October 26 – November 3 2024
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Thanks to the Austrian Cultural Forum in South Africa, we were able to visit institutions in Cape Town and Johannesburg. In Cape Town, we explored the Holocaust and Genocide Centre and Robben Island, where Nelson Mandela was imprisoned, among many others. In Johannesburg, director Tali Nates guided us through The Johannesburg Holocaust &#38;amp; Genocide Centre, which she established. This centre serves as a place of remembrance, education, and lessons for humanity. The JHGC explores the history of genocide in the 20th century, focusing on the Holocaust and the 1994 genocide in Rwanda. It explores the connections between genocide and contemporary human rights issues, urging visitors to understand the consequences of prejudice, discrimination, and othering in order to prevent the recurrence of mass atrocities and genocide in all its forms. We deeply appreciate this opportunity and the subsequent dialogue.

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ... that I owe it to them to defend them against the abuse of their history and their family’s history.

Robert Rotifer
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; In connection with the ongoing exhibition, The Third Generation: The Holocaust in Family Memory, at the Jewish Museum Vienna, director Barbara Staudinger conducted interviews with members of the third generation to discuss their unique perspectives on their grandparents’ history and their own generational identity. Robert Rotifer reflects on his grandmother Irma Schwager, in whose honour he devoted an evening during our Exchange Week. Read more.
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September 1 &#38;nbsp;2024 &#38;nbsp;
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; We are now ready for the next phase of our project! After an incredible exchange of ideas, we have to say goodbye, and everyone is heading back to their cities to create artworks and prepare for the exhibition at the Museum of Contemporary Art, Zagreb.&#38;nbsp;On 8 May 2025, marking the 80th anniversary of the liberation from the Nazi regime, we will meet again to open our exhibition.&#38;nbsp;But for now, it's time to celebrate! Join us at the university’s garden as we toast to this journey and everything to come.
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August 31 &#38;nbsp;2024 &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; On the final evening of our Exchange Week, artist Jo Schmeiser showcased her award-winning film, Widerstandsmomente (Moments of Resistance). 
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Widerstandsmomente carries voices, writings, and objects from the anti-Nazi resistance into the present. Politically engaged women of today respond to historical resistance and make links to current events. A line is drawn from what was before and what is today to what might be: a society based on solidarity without discrimination or exclusion.&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; The film served as a poignant reflection of the themes we explored during the week and helped us prepare for the upcoming months, when we will co-create works for our exhibition at the Museum of Contemporary Art, Zagreb.
 

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 August 30 &#38;nbsp;2024 &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Thank you so much, to the rectorate of Bezalel Academy of Fine Arts, specifically to Adi Stern, Barak Pelman and Liat Brix-Etgar, for coming to Vienna and discussing with us in person. Your work on the Guidelines for Free Speech and Creative Freedom in Wartime spreads courage, hope, and confidence. We are keenly aware that each and every point of the Guidelines and their creation involved a challenging, even hurtful process. What impresses us so much is that the guidelines were developed from the entire organisation of a university across ethnicities, religious beliefs, genders and ages, across and involving all hierarchical levels. Such work requires a lot of listening and discussing and is therefore a great role model and inspiration.

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August 30 &#38;nbsp;2024

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; On this hot summer day, we welcomed guests from outside Europe, including Liat Brix-Etgar, Barak Pelman and Adi Stern from the Bezalel Academy of Fine Arts, Jerusalem. They presented their thought-provoking project, Guidelines for Free Speech and Creative Freedom in Wartime, which focused on fostering mutual respect and learning from each other, especially in the most challenging situations.&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Bezalel is an inclusive academic space that represents the sociopolitical diversity of Israeli society. The academy brings together lived realities, diverse identities, complex and contradictory worldviews.
Championing equity, diversity, and independent thinking, Bezalel’s commitment to a diverse population of students and faculty is reflected in every aspect of the academy. Stemming from all segments of society, this dynamic mix of people of varied religious, cultural, and socioeconomic origins and affiliations enriches and energizes the Academy, furthering expanded viewpoints and stimulating original and independent thinking. (Excerpt from Guidelines…)
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Prior to the roundtable discussion, we took advantage of the university garden to brainstorm and develop questions for the upcoming conversation.
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; What does resistance look like in our daily life? ︎︎︎ Resistance without distance.Participant of the Exchange Week
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August 30 &#38;nbsp;2024

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; The second workshop of the day was presented by Gelavizh Abolhassani. Her research explores the historical ties between art and theory, with a particular focus on how artists have interacted with cultural and ideological environments in both Iran and Austria.&#38;nbsp;Gelavizh, an Iranian artist, visual-graphic designer, and PhD researcher, explores the intersection of politics and art, with a particular focus on how sociopolitical phenomena are expressed through art in Iran and Western countries. The workshop compared and contrasted artistic freedom in Austria and Iran.
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&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Today, we had the privilege of meeting&#38;nbsp;Preeti Kathuria, a writer, curator, and researcher from India, who presented Seeding Change: Indian Contemporary Art Practices and the Agrarian Crisis. Preeti shed light on the crisis existing in farmlands, often overlooked amidst the romanticized perception of rural life. She discussed how contemporary art has served as a platform for critical commentary and intervention into agrarian complexities. Some artworks have deeply explored the land and rural social structures, while others have sought to highlight farmer protests, turning a seemingly distant crisis into a national concern.
&#60;img width="1200" height="1202" width_o="1200" height_o="1202" data-src="https://freight.cargo.site/t/original/i/d49735629db3aad6c44ea4a05f5807600c905dc115a77205715734dbebc9fc90/1388403855564_1391167131071436.jpg" data-mid="219787777" border="0"  src="https://freight.cargo.site/w/1000/i/d49735629db3aad6c44ea4a05f5807600c905dc115a77205715734dbebc9fc90/1388403855564_1391167131071436.jpg" /&#62;&#60;img width="1000" height="817" width_o="1000" height_o="817" data-src="https://freight.cargo.site/t/original/i/3645cf9dbfe14e4e0d1bc5966580aed6ab143a116ba4a1b92654af37c7a720bd/IMG_9937.jpeg" data-mid="219787778" border="0"  src="https://freight.cargo.site/w/1000/i/3645cf9dbfe14e4e0d1bc5966580aed6ab143a116ba4a1b92654af37c7a720bd/IMG_9937.jpeg" /&#62;

August 29&#38;nbsp; 2024&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Artist Deborah Sengl and Barbara Staudinger, the director of the Jewish Museum, guided us through the exhibition The Last Days of Democracy. The year 2024 marks an election year. Throughout Europe, there is a rise in support for parties advocating for "illiberal democracies," trying to convince us that this pairing is not contradictory. Society is divided, with social media echo chambers catering to specific groups and stirring up hostility towards others. The pandemic and war have further polarized public opinion, while the wealth gap continues to widen daily. Antisemitism and racism are prevalent, exacerbated by the war in the Middle East. Many view these circumstances as a foreshadowing of The Last Days of Humankind, making Karl Kraus, celebrating his 150th anniversary this year, more relevant than ever. This is why the rats have returned. Sixteen scenes from Deborah Sengl’s installation have been selected and updated with texts by the Austrian poet Lydia Haider.

&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/fdc75f20b2f58e20e981951cdc4b0c392622685c951997abf1763b92d52a7f12/eSeLat_RobertPuteanu_1445-2.jpg" data-mid="219780382" border="0"  src="https://freight.cargo.site/w/1000/i/fdc75f20b2f58e20e981951cdc4b0c392622685c951997abf1763b92d52a7f12/eSeLat_RobertPuteanu_1445-2.jpg" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/c27a1f267b87f5f31179305f89a113c210f8826efc9a0a75bd2d9fba63ad444e/eSeLat_RobertPuteanu_1510.jpg" data-mid="219780385" border="0"  src="https://freight.cargo.site/w/1000/i/c27a1f267b87f5f31179305f89a113c210f8826efc9a0a75bd2d9fba63ad444e/eSeLat_RobertPuteanu_1510.jpg" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/55ab6e7f6abe38f8a1573cceb769939ca9d27586b138e3bd9d2dac1baa2e8a3a/eSeLat_RobertPuteanu_1469-2.jpg" data-mid="219780383" border="0"  src="https://freight.cargo.site/w/1000/i/55ab6e7f6abe38f8a1573cceb769939ca9d27586b138e3bd9d2dac1baa2e8a3a/eSeLat_RobertPuteanu_1469-2.jpg" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/36d6bfd641bef70754c60a00627bc20dd4428ef72108ecca6bdf33ec7964d83a/eSeLat_RobertPuteanu_1598.jpg" data-mid="219780390" border="0"  src="https://freight.cargo.site/w/1000/i/36d6bfd641bef70754c60a00627bc20dd4428ef72108ecca6bdf33ec7964d83a/eSeLat_RobertPuteanu_1598.jpg" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/5c5fe5858ab0985d5677af31a6824a4de25d7c1cff9ef487373d83cbc1a04d03/eSeLat_RobertPuteanu_1545-2.jpg" data-mid="219780386" border="0"  src="https://freight.cargo.site/w/1000/i/5c5fe5858ab0985d5677af31a6824a4de25d7c1cff9ef487373d83cbc1a04d03/eSeLat_RobertPuteanu_1545-2.jpg" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/89b4dd13c09a32d7c61fff633c35155bd5f2a451e931fae40583c0c248a3c105/eSeLat_RobertPuteanu_1588-2.jpg" data-mid="219780389" border="0"  src="https://freight.cargo.site/w/1000/i/89b4dd13c09a32d7c61fff633c35155bd5f2a451e931fae40583c0c248a3c105/eSeLat_RobertPuteanu_1588-2.jpg" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/e40a4ef13e68a76e7362e12431b4788fa5fd2c825fb397d577375a9670b77abf/eSeLat_RobertPuteanu_1578.jpg" data-mid="219780388" border="0"  src="https://freight.cargo.site/w/1000/i/e40a4ef13e68a76e7362e12431b4788fa5fd2c825fb397d577375a9670b77abf/eSeLat_RobertPuteanu_1578.jpg" /&#62;

August 28&#38;nbsp; 2024&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; When we were planning this project, we knew that we had to invite Robert Rotifer to share his stories and songs about his grandmother, resistance fighter Irma Schwager, who had lived in the neighbourhood for almost 70 years. Robert is a wonderful singer-songwriter who, with his stories and songs, made it clear to us what an impact resistance work has on society and how it shapes a family for generations. Thank you, Robert, for this great evening!
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Today, we must resolutely resist the attack on fundamental human rights.

 
Participant of the Exchange Week&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/bf902beaa287d124e33ac57d8a5df5b9dc554b151f33772efcd26206b9b216ab/eSeLat_RobertPuteanu_1208.jpg" data-mid="219730125" border="0"  src="https://freight.cargo.site/w/1000/i/bf902beaa287d124e33ac57d8a5df5b9dc554b151f33772efcd26206b9b216ab/eSeLat_RobertPuteanu_1208.jpg" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/c5b0b5e50ab9bb51ba98d32e2d1ff8900336a36270c6eab1f886cc23396605da/eSeLat_RobertPuteanu_1248.jpg" data-mid="219730126" border="0"  src="https://freight.cargo.site/w/1000/i/c5b0b5e50ab9bb51ba98d32e2d1ff8900336a36270c6eab1f886cc23396605da/eSeLat_RobertPuteanu_1248.jpg" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/3b2741eecbf22482be790b7cefe7ded561e24c0dd9bd0be24a56a1e84fe6fa24/eSeLat_RobertPuteanu_1283.jpg" data-mid="219730128" border="0"  src="https://freight.cargo.site/w/1000/i/3b2741eecbf22482be790b7cefe7ded561e24c0dd9bd0be24a56a1e84fe6fa24/eSeLat_RobertPuteanu_1283.jpg" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/7022aea7670802a50a4e153cc609f9f4aeb17ed842ae8fa7573d72d0c51de1ab/eSeLat_RobertPuteanu_1296.jpg" data-mid="219730129" border="0"  src="https://freight.cargo.site/w/1000/i/7022aea7670802a50a4e153cc609f9f4aeb17ed842ae8fa7573d72d0c51de1ab/eSeLat_RobertPuteanu_1296.jpg" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/6136768729e268ca9035afe949fc9db5470c16452453e86e3479d81e6ab6dc13/eSeLat_RobertPuteanu_1361.jpg" data-mid="219730132" border="0"  src="https://freight.cargo.site/w/1000/i/6136768729e268ca9035afe949fc9db5470c16452453e86e3479d81e6ab6dc13/eSeLat_RobertPuteanu_1361.jpg" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/a8f2e0e6aa7c7c72ce4e6443373ad6454d7d913d7f420c1fae6f3a81ff8ff733/eSeLat_RobertPuteanu_1365.jpg" data-mid="219730134" border="0"  src="https://freight.cargo.site/w/1000/i/a8f2e0e6aa7c7c72ce4e6443373ad6454d7d913d7f420c1fae6f3a81ff8ff733/eSeLat_RobertPuteanu_1365.jpg" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/49fec86232a2f627c54380fb104a05b4de650aa184fa071d66f442028778523a/eSeLat_RobertPuteanu_1412.jpg" data-mid="219730135" border="0"  src="https://freight.cargo.site/w/1000/i/49fec86232a2f627c54380fb104a05b4de650aa184fa071d66f442028778523a/eSeLat_RobertPuteanu_1412.jpg" /&#62;
August 28&#38;nbsp; 2024
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; With this performative walk, we highlight certain historical relations to resistance, artistic, architectural, and urban contexts of the backdrop of the University of Applied Arts, but even more so in the neighbourhood, the 2nd district in Vienna, where we live. Delving into the background of the neighbourhood brings to the fore stories that are specific to the local history, from the flat of resistance fighter Irma Schwager to the villa of Jewish architect Oscar Mamorek, where the architect of the Holocaust, Adolf Eichmann, later lived. This neighbourhood has always been a source of inspiration for bringing The Arts of Resistance project to life. Ruth Anderwald + Leonhard Grond
&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/0814ff9af250a797df23f56510168f3b1577dd8e7e2ffbc726aa13626c91c754/IMG_1717.JPG" data-mid="219718529" border="0"  src="https://freight.cargo.site/w/1000/i/0814ff9af250a797df23f56510168f3b1577dd8e7e2ffbc726aa13626c91c754/IMG_1717.JPG" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/19eb12eac4f799639d46f9d31710b6388b9ba690d5cac60c272002e9862061bb/IMG_1759.JPG" data-mid="219718534" border="0"  src="https://freight.cargo.site/w/1000/i/19eb12eac4f799639d46f9d31710b6388b9ba690d5cac60c272002e9862061bb/IMG_1759.JPG" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/943df2328bcafac7e0f8b74824730535fc11dc95400a6cc2c8cc11be80cfcad0/IMG_1723.JPG" data-mid="219718531" border="0"  src="https://freight.cargo.site/w/1000/i/943df2328bcafac7e0f8b74824730535fc11dc95400a6cc2c8cc11be80cfcad0/IMG_1723.JPG" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/fb1813be0c08f302b21a540e2f81b83b7d8d0a7e98e77f634d435e77964b1e3f/IMG_1756.JPG" data-mid="219718532" border="0"  src="https://freight.cargo.site/w/1000/i/fb1813be0c08f302b21a540e2f81b83b7d8d0a7e98e77f634d435e77964b1e3f/IMG_1756.JPG" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/a31372313ee69b440eb8d7ed4cccc34e94c0e1038153e78ef0dcbda6dbaae254/IMG_1760.JPG" data-mid="219718536" border="0"  src="https://freight.cargo.site/w/1000/i/a31372313ee69b440eb8d7ed4cccc34e94c0e1038153e78ef0dcbda6dbaae254/IMG_1760.JPG" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/9f2ef641a586eb2a23a83e271e90d94596e897bb551c275cb0b20759b39b2f04/IMG_1783.JPG" data-mid="219718539" border="0"  src="https://freight.cargo.site/w/1000/i/9f2ef641a586eb2a23a83e271e90d94596e897bb551c275cb0b20759b39b2f04/IMG_1783.JPG" /&#62;
August 28&#38;nbsp; 2024&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; The MSU Youth Club hosted a speed dating event, and we had an amazing time discussing topics like freedom, education, institutions, power, and many others. This was really fun! Thanks for this idea.
&#60;img width="1000" height="529" width_o="1000" height_o="529" data-src="https://freight.cargo.site/t/original/i/17e0e677e64d1df57c2f75aaf30f0d107c6fe24b2bbd186f3ea29da5319b8fb2/Martin_Krenn_01.jpg" data-mid="219712591" border="0"  src="https://freight.cargo.site/w/1000/i/17e0e677e64d1df57c2f75aaf30f0d107c6fe24b2bbd186f3ea29da5319b8fb2/Martin_Krenn_01.jpg" /&#62;&#60;img width="1000" height="596" width_o="1000" height_o="596" data-src="https://freight.cargo.site/t/original/i/a1012b9b841aab868dc0fce41538beb6dab1f30e0ccf0c4d17ab36a610adcc7d/Martin_Krenn_02.jpg" data-mid="219712592" border="0"  src="https://freight.cargo.site/w/1000/i/a1012b9b841aab868dc0fce41538beb6dab1f30e0ccf0c4d17ab36a610adcc7d/Martin_Krenn_02.jpg" /&#62;&#60;img width="1000" height="640" width_o="1000" height_o="640" data-src="https://freight.cargo.site/t/original/i/4e9a98112848923fa7972e45c6d7bea8b450e3b3b492cdd5187b04a04925a672/Martin_Krenn_03.jpg" data-mid="219712593" border="0"  src="https://freight.cargo.site/w/1000/i/4e9a98112848923fa7972e45c6d7bea8b450e3b3b492cdd5187b04a04925a672/Martin_Krenn_03.jpg" /&#62;

August 27&#38;nbsp; 2024&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
On the third evening of our Exchange Week, Martin Krenn presented his film Aufzeichnungen zum Widerstand (Notes on Resistance), which we then discussed in detail. His film delves into the courageous acts of resistance against fascism in Austria, Spain, and France during the 1930s and 1940s. 
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; It’s truly moving to witness the stories of individuals like Harry Spiegel, who dedicated their lives to standing up against oppressive regimes. The film’s focus on the generation of resistance fighters who bravely fought against Franco, the Austro-fascists Dollfuss/Schuschnigg, and Hitler is a powerful testament to their resilience and determination.

&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/9026c6ebaa084b5be8725bc6e3eafe93c5fda68258754b710d4ff293ab23bba8/IMG_1706.JPG" data-mid="219710705" border="0"  src="https://freight.cargo.site/w/1000/i/9026c6ebaa084b5be8725bc6e3eafe93c5fda68258754b710d4ff293ab23bba8/IMG_1706.JPG" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/be1ba3a66185d53ee80145f1102cd49093cce412717b17d5f004835a9de6b0ce/IMG_1699.JPG" data-mid="219710703" border="0"  src="https://freight.cargo.site/w/1000/i/be1ba3a66185d53ee80145f1102cd49093cce412717b17d5f004835a9de6b0ce/IMG_1699.JPG" /&#62;
August 27&#38;nbsp; 2024
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Today, we had the privilege of visiting the Documentation Centre of Austrian Resistance (DÖW), where the team gave us a warm welcome and guided us through their permanent exhibition. The exhibition offered a profound glimpse into Austria’s history, displaying artefacts of resistance against fascism. It was an eye-opening experience, and we’re grateful for the opportunity to learn more about the crucial work DÖW is doing - not just for Austria, but for a wider international audience as well.


&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Founded in 1963, DÖW was established by former Austrian resistance members, survivors of Nazi persecution. From the start, it has maintained a nonpartisan and inclusive focus, bringing together representatives from a variety of backgrounds: Communists, Socialists, Catholic-Conservatives, the Catholic Church, the Jewish community, as well as Roma and Sinti groups, alongside political figures. What began as a modest initiative run by idealistic victims of fascism has grown into a respected institution, recognised both in Austria and abroad for its vital role in preserving history and promoting awareness.


&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; We left the centre deeply inspired by the important work they continue to do. It’s a place that keeps the memory of resistance alive and serves as a reminder of the ongoing fight for justice and human dignity.
&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/e8f00bda0c185ea1f498c7e06ddc206014832059c4000114f068b819de9d6f89/The-Arts-of-Resistance-260824-9689.jpg" data-mid="219375423" border="0"  src="https://freight.cargo.site/w/1000/i/e8f00bda0c185ea1f498c7e06ddc206014832059c4000114f068b819de9d6f89/The-Arts-of-Resistance-260824-9689.jpg" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/f6a5f362272464eff8917e626dfce19b312bd3f465d559a7617794f7d52e4321/The-Arts-of-Resistance-260824-9756.jpg" data-mid="219375424" border="0"  src="https://freight.cargo.site/w/1000/i/f6a5f362272464eff8917e626dfce19b312bd3f465d559a7617794f7d52e4321/The-Arts-of-Resistance-260824-9756.jpg" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/134ccba021a376fb1301b45c634cf9141588d8563008681aaa0087fa543be2db/The-Arts-of-Resistance-260824-9718.jpg" data-mid="219374913" border="0"  src="https://freight.cargo.site/w/1000/i/134ccba021a376fb1301b45c634cf9141588d8563008681aaa0087fa543be2db/The-Arts-of-Resistance-260824-9718.jpg" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/9702abdac9975cd82c84e612da216a6cc0a348f9a04e48a10786309dcec82df9/The-Arts-of-Resistance-260824-9744.jpg" data-mid="219374916" border="0"  src="https://freight.cargo.site/w/1000/i/9702abdac9975cd82c84e612da216a6cc0a348f9a04e48a10786309dcec82df9/The-Arts-of-Resistance-260824-9744.jpg" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/cbc911146decfab5e3be1ab978fda698aa3631a45c5f4ba70fbc457a044b3e4c/The-Arts-of-Resistance-260824-9747.jpg" data-mid="219374917" border="0"  src="https://freight.cargo.site/w/1000/i/cbc911146decfab5e3be1ab978fda698aa3631a45c5f4ba70fbc457a044b3e4c/The-Arts-of-Resistance-260824-9747.jpg" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/1018e4c0a9c5d8d5006a5a69a5dd876160f512e9a1f5f5fa5c9ba5d9f459447e/The-Arts-of-Resistance-260824-9739.jpg" data-mid="219374915" border="0"  src="https://freight.cargo.site/w/1000/i/1018e4c0a9c5d8d5006a5a69a5dd876160f512e9a1f5f5fa5c9ba5d9f459447e/The-Arts-of-Resistance-260824-9739.jpg" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/9dcc5ec4b02ed4f9e79f661da8c3745ac8ce87c19c8a9270b7e6490647a51270/The-Arts-of-Resistance-260824-9721.jpg" data-mid="219374914" border="0"  src="https://freight.cargo.site/w/1000/i/9dcc5ec4b02ed4f9e79f661da8c3745ac8ce87c19c8a9270b7e6490647a51270/The-Arts-of-Resistance-260824-9721.jpg" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/9e287fc25349bbc227898048694131e22223b42856e286db7431d54406aa89e3/The-Arts-of-Resistance-260824-9691-2.jpg" data-mid="219374911" border="0"  src="https://freight.cargo.site/w/1000/i/9e287fc25349bbc227898048694131e22223b42856e286db7431d54406aa89e3/The-Arts-of-Resistance-260824-9691-2.jpg" /&#62;August 26&#38;nbsp; 2024 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Our first workshop during the exchange week was by artist-researcher Jo O’Brien. They introduced us to sustainable resistance as slow beginnings for durational action. Resistance is a strange thing, often urgent or immediate, sometimes existential, and frequently durational. Durational across scales of time that – from the here and now – might have no conceivable end. Resistance to fascism in particular is a project as old as the politic itself, and one that must continue past any “end” of it as well. This resistance then cannot be a sprint or a marathon, a march, or even a single destination. Instead, this resistance must be a sustainable one – one that can be practised as indefinitely as needed.&#38;nbsp;
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; I want to learn about creative methods to inspire people to get engaged in the fight against fascism.Participant of the Exchange Week&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/646c2a5c6eaae8aab735dc91f872c9396da3bcf660e8395ef11eb31e81970c22/The-Arts-of-Resistance-250824-9465.jpeg" data-mid="218248318" border="0"  src="https://freight.cargo.site/w/1000/i/646c2a5c6eaae8aab735dc91f872c9396da3bcf660e8395ef11eb31e81970c22/The-Arts-of-Resistance-250824-9465.jpeg" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/fb2e6ba1fea940879f84112784768fb064d555ffa2eb0dba9b7729eecbf0d193/The-Arts-of-Resistance-250824-9404.jpeg" data-mid="218248316" border="0"  src="https://freight.cargo.site/w/1000/i/fb2e6ba1fea940879f84112784768fb064d555ffa2eb0dba9b7729eecbf0d193/The-Arts-of-Resistance-250824-9404.jpeg" /&#62;&#60;img width="1000" height="930" width_o="1000" height_o="930" data-src="https://freight.cargo.site/t/original/i/9a4c7719b55ab48220944945951bdfded4d9d92340865ced0096be031684c6bd/The-Arts-of-Resistance-250824-9525.jpg" data-mid="218248503" border="0"  src="https://freight.cargo.site/w/1000/i/9a4c7719b55ab48220944945951bdfded4d9d92340865ced0096be031684c6bd/The-Arts-of-Resistance-250824-9525.jpg" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/7dd1002018cc9180606fe9dec6ef95224858deeb1c908898f5509d926582fc92/The-Arts-of-Resistance-250824-9502.jpeg" data-mid="218248319" border="0"  src="https://freight.cargo.site/w/1000/i/7dd1002018cc9180606fe9dec6ef95224858deeb1c908898f5509d926582fc92/The-Arts-of-Resistance-250824-9502.jpeg" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/c75e4845fe1adaed130bb3b7a17fa6cbd3e7455fe326c45faca916a046202cd9/The-Arts-of-Resistance-250824-9508.jpg" data-mid="218248444" border="0"  src="https://freight.cargo.site/w/1000/i/c75e4845fe1adaed130bb3b7a17fa6cbd3e7455fe326c45faca916a046202cd9/The-Arts-of-Resistance-250824-9508.jpg" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/53bbe668833f8d0b5c96c7e1c0cd055bbbe1b5e5b065fb5f124aec9409e19a5d/The-Arts-of-Resistance-250824-9552.jpeg" data-mid="218248321" border="0"  src="https://freight.cargo.site/w/1000/i/53bbe668833f8d0b5c96c7e1c0cd055bbbe1b5e5b065fb5f124aec9409e19a5d/The-Arts-of-Resistance-250824-9552.jpeg" /&#62;
&#38;nbsp;August 25&#38;nbsp; 2024&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; After the summer, we are excited to kick off our Exchange Week and welcome all participants to Vienna. Join us for a week of lively discussions, knowledge exchange, and input. All welcome.

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Resistance means trying to remain humane in inhuman conditions.
Friedl Gascha, DÖW, Vienna

&#60;img width="684" height="754" width_o="684" height_o="754" data-src="https://freight.cargo.site/t/original/i/c4bdb9b3c02bdd5dc530470722dc705ad7c687b7d7a06165baaae54550175fd6/foto_Pollack.jpg" data-mid="215319693" border="0"  src="https://freight.cargo.site/w/684/i/c4bdb9b3c02bdd5dc530470722dc705ad7c687b7d7a06165baaae54550175fd6/foto_Pollack.jpg" /&#62;
July 26 &#38;nbsp;2024

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; My family were all Nazis. My grandfather and grandmother. My mother and my father. My stepfather, my uncle – literally all of them were hardcore Nazis during the second world war. And after? […]&#38;nbsp;Read My family and other Nazis by Martin Pollack (© photo) in&#38;nbsp;The Guardian.&#60;img width="2040" height="1536" width_o="2040" height_o="1536" data-src="https://freight.cargo.site/t/original/i/91233f136995ed847e0292b2673ef34a3368ac79a5cfe8fd32dfad54cc68f2dd/1720387190222.jpg" data-mid="215317306" border="0"  src="https://freight.cargo.site/w/1000/i/91233f136995ed847e0292b2673ef34a3368ac79a5cfe8fd32dfad54cc68f2dd/1720387190222.jpg" /&#62;&#60;img width="1517" height="980" width_o="1517" height_o="980" data-src="https://freight.cargo.site/t/original/i/01bed31fdfc87a46d1c50989b5d00bac93e87450b1300ad9e83b0cfd37351889/Blog_03.jpg" data-mid="215317349" border="0"  src="https://freight.cargo.site/w/1000/i/01bed31fdfc87a46d1c50989b5d00bac93e87450b1300ad9e83b0cfd37351889/Blog_03.jpg" /&#62;
June 13 &#38;nbsp;2024
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Working at MSU Youth Club, Zagreb, with artist Selma Banich.&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Art is not a luxury. It stands at the essence of our humanity, and it asks for no special protection except the right to exist.
It accepts argument, criticism, even rejection. It does not accept violence.
Salman Rushdie, Knife, Meditations After an Attempted Murder, 2024.&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; The most important […] is that art challenges orthodoxy. To reject or vilify art because it does that is to fail to understand its nature. Art sets the artist’s passionate personal vision against the received ideas of its time. Art knows that the received ideas are the enemies of art, as Flaubert told us in Bouchard et Pécuchet. Clichés are received ideas and so are ideologies […]. Without art our ability to think, to see freshly, and to renew our world would wither and die.&#38;nbsp;Art is not a luxury. It stands at the essence of our humanity, and it asks for no special protection except the right to exist.It accepts argument, criticism, even rejection. It does not accept violence. (Rushdie, p. 168)

&#60;img width="1000" height="750" width_o="1000" height_o="750" data-src="https://freight.cargo.site/t/original/i/036a84f9f9bbde955d31d0735b04229c9a3036bf664909ac48142c09b5c93e98/Blog_06.jpg" data-mid="212229673" border="0"  src="https://freight.cargo.site/w/1000/i/036a84f9f9bbde955d31d0735b04229c9a3036bf664909ac48142c09b5c93e98/Blog_06.jpg" /&#62;&#60;img width="1000" height="436" width_o="1000" height_o="436" data-src="https://freight.cargo.site/t/original/i/7f5abd7c98a234993da87b2dd0843cb8f6567cae5b62cf1f3d99472da84b7fd8/Blog_05.jpg" data-mid="212229672" border="0"  src="https://freight.cargo.site/w/1000/i/7f5abd7c98a234993da87b2dd0843cb8f6567cae5b62cf1f3d99472da84b7fd8/Blog_05.jpg" /&#62;&#60;img width="1000" height="608" width_o="1000" height_o="608" data-src="https://freight.cargo.site/t/original/i/39d7d80a53a5ac59e07d5c1640a2e465c06dca456cc71faaecbb562d37af7f58/Blog_04.jpg" data-mid="212229671" border="0"  src="https://freight.cargo.site/w/1000/i/39d7d80a53a5ac59e07d5c1640a2e465c06dca456cc71faaecbb562d37af7f58/Blog_04.jpg" /&#62;
&#60;img width="1000" height="566" width_o="1000" height_o="566" data-src="https://freight.cargo.site/t/original/i/51ec697f4d06f6c19c6ddf9173905a9307cb5c350adb3e16c9f5a98baea000c9/Blog_01.jpg" data-mid="212229668" border="0"  src="https://freight.cargo.site/w/1000/i/51ec697f4d06f6c19c6ddf9173905a9307cb5c350adb3e16c9f5a98baea000c9/Blog_01.jpg" /&#62;
&#60;img width="1000" height="601" width_o="1000" height_o="601" data-src="https://freight.cargo.site/t/original/i/c468cd2c22936941345da2a0dbb14402746c4e42844245dee34a7d5a402173b1/Blog_02.jpg" data-mid="212229669" border="0"  src="https://freight.cargo.site/w/1000/i/c468cd2c22936941345da2a0dbb14402746c4e42844245dee34a7d5a402173b1/Blog_02.jpg" /&#62;May 2-4 &#38;nbsp;2024
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Our Multipliers Meeting took place at HBK Braunschweig from May 2nd to May 4th. Participants from Zagreb and Vienna travelled to Braunschweig, where Martin Krenn and his students welcomed us and put together two days packed with engaging discussions and fantastic exchanges. This was a wonderful start for The Arts of Resistance project. Thank you so much!
&#60;img width="1785" height="1000" width_o="1785" height_o="1000" data-src="https://freight.cargo.site/t/original/i/f4c3e252ea4cabce554a80d19acb8abf9224f1e156afa3b93e226ecfc2cd5495/Press_TAoR_small.jpg" data-mid="208104090" border="0"  src="https://freight.cargo.site/w/1000/i/f4c3e252ea4cabce554a80d19acb8abf9224f1e156afa3b93e226ecfc2cd5495/Press_TAoR_small.jpg" /&#62;
April 1 2024

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;  We are happy to announce that our intergenerational artistic research project, The Arts of Resistance, starts today. &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; The Arts of Resistance&#38;nbsp;
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; The Arts of Resistance&#38;nbsp;is a European cooperation project which conducts artistic research on resistance against Fascisms, past and present, in Europe and beyond.&#38;nbsp;This project is initiated and led by the Austrian association&#38;nbsp;HASENHERZ&#38;nbsp;and carried out with the University of Applied Arts Vienna, the Museum of Contemporary Art Zagreb and the&#38;nbsp;Braunschweig University of Art.The Arts of Resistance (2024-2025) is co-financed by the Creative Europe Programme of the European Union.

&#60;img width="1500" height="335" width_o="1500" height_o="335" data-src="https://freight.cargo.site/t/original/i/98cc633214c0a4e00a27dc2a96215edc1316bfbb7383c7217cc0e5e7e87e6e27/EN_Co-fundedbytheEU_RGB_Monochrome.png" data-mid="212272543" border="0"  src="https://freight.cargo.site/w/1000/i/98cc633214c0a4e00a27dc2a96215edc1316bfbb7383c7217cc0e5e7e87e6e27/EN_Co-fundedbytheEU_RGB_Monochrome.png" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/b1502676e06b3a5de543d694c867b68ca80d05a66819fa604a1dc859f7a7c0e2/Hans-Marsalek-Preisverleihung-2022-Copyright-Parlamentsdirektion-Johannes-Zinner-10-Kopie.jpg" data-mid="208491383" border="0"  src="https://freight.cargo.site/w/1000/i/b1502676e06b3a5de543d694c867b68ca80d05a66819fa604a1dc859f7a7c0e2/Hans-Marsalek-Preisverleihung-2022-Copyright-Parlamentsdirektion-Johannes-Zinner-10-Kopie.jpg" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/26288e4460cbec6a885456ef02e0ca27e5729237d8f714887c87d22bf3cf1ab2/Hans-Marsalek-Preisverleihung-2022-Copyright-Parlamentsdirektion-Johannes-Zinner-11-Kopie.jpg" data-mid="208491384" border="0"  src="https://freight.cargo.site/w/1000/i/26288e4460cbec6a885456ef02e0ca27e5729237d8f714887c87d22bf3cf1ab2/Hans-Marsalek-Preisverleihung-2022-Copyright-Parlamentsdirektion-Johannes-Zinner-11-Kopie.jpg" /&#62;
June 29 2022

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; We would like to express our gratitude to everyone who has contributed to the ART &#38;nbsp;WORKS! European Culture of Resistance and Liberation&#38;nbsp;project.&#38;nbsp;We are delighted that the project has been honoured with the Comité International de Mauthausen's appreciation award as part of the Hans Maršálek Prize 2022.&#38;nbsp;
&#60;img width="1000" height="1333" width_o="1000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/6cb7500e5e33fe81e1c6fc223864fd9b387491b3d0222edd113b12970937f267/60741db21be7f778d3640811_05_Berlin.jpg" data-mid="223066765" border="0"  src="https://freight.cargo.site/w/1000/i/6cb7500e5e33fe81e1c6fc223864fd9b387491b3d0222edd113b12970937f267/60741db21be7f778d3640811_05_Berlin.jpg" /&#62;&#60;img width="1000" height="750" width_o="1000" height_o="750" data-src="https://freight.cargo.site/t/original/i/40eeb1f435bafd72dcabac8bf2ccbd77813ab4aab3f300d6fb5341b7d440dce3/60741da535676bb35b674b1f_04_Berlin.jpg" data-mid="223066764" border="0"  src="https://freight.cargo.site/w/1000/i/40eeb1f435bafd72dcabac8bf2ccbd77813ab4aab3f300d6fb5341b7d440dce3/60741da535676bb35b674b1f_04_Berlin.jpg" /&#62;&#60;img width="1000" height="1333" width_o="1000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/c4edda1d40f67b9014b4c4cfff8580742c28cd2305230184113aba1923d6de31/60741d8c9f2b74b4bf0c3de0_02_Berlin.jpg" data-mid="223066761" border="0"  src="https://freight.cargo.site/w/1000/i/c4edda1d40f67b9014b4c4cfff8580742c28cd2305230184113aba1923d6de31/60741d8c9f2b74b4bf0c3de0_02_Berlin.jpg" /&#62;&#60;img width="1000" height="1333" width_o="1000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/af7fa00521a00785b130fba7a1ac4bdeac83024cb2584fbcb9464444aa4f0a78/60741d99ea0af87457332ee4_03_Berlin.jpg" data-mid="223066763" border="0"  src="https://freight.cargo.site/w/1000/i/af7fa00521a00785b130fba7a1ac4bdeac83024cb2584fbcb9464444aa4f0a78/60741d99ea0af87457332ee4_03_Berlin.jpg" /&#62;&#60;img width="1000" height="1333" width_o="1000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/eb48394ab2c80bae21f00f602653cc8589cdb686715cf7ca92d2f5221e56f283/60741d66b64b04e4fb85eece_01_Berlin.jpg" data-mid="223066762" border="0"  src="https://freight.cargo.site/w/1000/i/eb48394ab2c80bae21f00f602653cc8589cdb686715cf7ca92d2f5221e56f283/60741d66b64b04e4fb85eece_01_Berlin.jpg" /&#62;March 10 2021
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;In a public conversation, artist Jonathan Horowitz and photographer Wolfgang Tillmans, moderated by Anderwald + Grond, share insights into their artistic and curatorial work. Starting with Horowitz's exhibition, We Fight to Build a Free World! at the Jewish Museum in New York, they explore the potential art has to combat racism and anti-Semitism.&#38;nbsp;
Haus der Kulturen der WeltSaturday 20 March 2021, online
&#60;img width="1500" height="2124" width_o="1500" height_o="2124" data-src="https://freight.cargo.site/t/original/i/8e66f6296c60114c1425f676849bdd4269696fdb38bad72aa540296540601920/01_Plakat_0903_klein.jpg" data-mid="101507915" border="0"  src="https://freight.cargo.site/w/1000/i/8e66f6296c60114c1425f676849bdd4269696fdb38bad72aa540296540601920/01_Plakat_0903_klein.jpg" /&#62;&#60;img width="1200" height="1699" width_o="1200" height_o="1699" data-src="https://freight.cargo.site/t/original/i/9e549ee6875eab148c00d4ee027391505d5e70520903cb8d2bb8af19fe860b7e/02_Plakat_0903_klein.jpg" data-mid="101507916" border="0"  src="https://freight.cargo.site/w/1000/i/9e549ee6875eab148c00d4ee027391505d5e70520903cb8d2bb8af19fe860b7e/02_Plakat_0903_klein.jpg" /&#62;
March 10 2021

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; We are looking forward to the upcoming workshops on March 20, 2021. Registration until March 8, 2021. Thank you for the wonderful collaboration with Between Bridges, HKW Berlin, Foundation wannseeFORUM and die Angewandte.

&#60;img width="1280" height="1545" width_o="1280" height_o="1545" data-src="https://freight.cargo.site/t/original/i/04413c11e4d2edddf738bde69d514404f0bc4047b27fcff9a4d24d6138bb661a/MSU_ex_head.png" data-mid="98300270" border="0"  src="https://freight.cargo.site/w/1000/i/04413c11e4d2edddf738bde69d514404f0bc4047b27fcff9a4d24d6138bb661a/MSU_ex_head.png" /&#62;
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October 14 2020
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Opening of the exhibition at MSU Museum of Contemporary Art Zagreb 
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; This time around, all works can be seen at once in the Open Gallery space of MSU Zagreb. Curator Ana Skegro arranged the expanded exhibition that now also features a new Virtual Reality contribution by the Austrian group. In the picture above you can see the MSU Youth Group with their artist-mentor OKO in front of one of their works.

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August 04 2020
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Cubo Garutti – Piccolo Museion: European project ART WORKS! European Culture of Resistance and Liberation
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; The second edition of the exhibition features works by the German group of Foundation wannseeFORUM led by filmmaker Katja Pratschke, who contributed ON THE DOORSTEP, a video in seven chapters on the resistance in Berlin during Nazism, and the Croatian group of MSU Zagreb led by artist OKO. Their contribution, Resistance Then And Now collages texts and images on a satin banner and in the graphics of a pamphlet to create a connection between the actions and significant presence of leading women in resistance movements and the slogans from current protests in Croatia. The aim of the group was to identify contemporary resistance to current fascisms using the aesthetics of protest posters which are a public expression of our hard-won freedom of speech.
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June 18 2020
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Cubo Garutti – Piccolo Museion: European project ART WORKS! European Culture of Resistance and Liberation

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; About Resistance (interfaced) is a journey taken by a group of young people at Museion together with the artist Alessandra Ferrini. Consisting of a banner and video, the installation depicts the desktop of a computer as a window on the world. This reveals both the compromises and contradictions of the period we are living through with “domestic” lockdown on one hand and global participation on the other.
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; The Cubo further hosts Solely You It’s Not, a work produced by a group from the University St. Pölten in Austria mentored by the artist collective Anderwald + Grond. Their work consists of a poster series of European women who took an active part in the Resistance during World War II. It is based on Hilde Meisel’s work, an Austrian journalist and writer who fought against the Nazi regime. They also included an audio work that unites different European voices and languages in recitation of Meisel’s poem Das ist’s [‘tis].
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; This is the first part of the exhibition of the project ART WORKS!, on view until 02.08.20. From 04.08 to 17.09, there will be the second part with works from the Croatian and German groups and artists OKO and Katja Pratschke. In line with the project’s exchange concept, the work produced by groups will on display in rotation at museums in the participant countries: MSU in Zagreb, at HKW in Berlin and at the Peace Museum Erlauf Austria.
&#60;img width="1470" height="292" width_o="1470" height_o="292" data-src="https://freight.cargo.site/t/original/i/7969bee9ee49822e2459a35343a7daeffa390824c87dc5a637a3b950e5433788/CoE.jpg" data-mid="98300309" border="0"  src="https://freight.cargo.site/w/1000/i/7969bee9ee49822e2459a35343a7daeffa390824c87dc5a637a3b950e5433788/CoE.jpg" /&#62;
June 11 2020
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ART WORKS! is named on the Council of Europe’s Good Practices Database for youth work in response to the Covid-19 crisis. [Read more.]


&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Sometimes, a certain amount of naïveté is necessary for engaging in the world, putting to one side the statistical likelihood of failure for any specific instance[…] Meanwhile, one way or another, simply being together strengthens us, though such assemblies will need to be endlessly repeated, whether in the face of rampant oppression, or confronting the more routine conformity that stifles creativity. 
Lynne Segal

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June 8 2020
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; In 10 days the exhibition at Museion Bolzano, Piccolo Museion – Cubo Garutti, will open, and the groups are working on finalizing their contributions. The first part of the exhibition will feature the works of the group of Museion mentored by Alessandra Ferrini and the group of FH St. Pölten mentored by Anderwald + Grond, as both groups focus on female resistance fighters. After the livestream both groups have produced new site-specific work for this exhibition.
May 11 2020&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ART WORKS! is proud to take part in the program histoMEETS in the framework of histoCON. histoCON is an ongoing event series of the Federal Agency for Civic Education (bpb), which is designed to be a platform to share and discuss global perspectives on history and its relation to present and future.&#38;nbsp; The aim is to discuss narratives about historical events, its continuing effects, and lessons that can be drawn from its history. The explicit intention is not only to commemorate the particular historical event but also to consider the implications for the present and future. Furthermore, it is intended to encourage young people from all over the world to get to know different perspectives of history, to question existing narratives, and to reflect on questions of war and peace in today’s world. The current situation, which has developed as a result of the novel coronavirus, also raises questions about the official commemoration of the Second World War. We believe that today the situation can be used to rethink commemoration. [Read more]
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/e46ce40f1034a6702705d44ddbd8ebf38aba36eda0a322dd10104d317a4cc10c/Gruppenbild_Berlin.jpg" data-mid="98300265" border="0"  src="https://freight.cargo.site/w/1000/i/e46ce40f1034a6702705d44ddbd8ebf38aba36eda0a322dd10104d317a4cc10c/Gruppenbild_Berlin.jpg" /&#62;
May 9 2020

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; In November we went for the first time to visit the Memorial and Museum Sachsenhausen (https://www.sachsenhausen-sbg.de/en/75liberationsachsenhausen/) and to started our research on the ART WORKS topic: European Culture of Resistance and Liberation. The outbreak of Covid 19 changed our plans. Starting from our own places of residence in Berlin, we researched nearby subcamps of the concentration camp and places of forced labor. On the website of the Documentation Center NS Forced Labor and the German Resistance Memorial Center we found information about locations, resistance fighters, their activities and their fate.We live all over the city, in the center as well as on the outskirts: Lichterfelde, Wedding close to Köslinerstraße and Kolonienstraße, Moabit, Charlottenburg, Kreuzberg, Hoppegarten and Lichtenberg.
From our home, a short walk away, in the same street block or immediate vicinity, we photographed the former places: forced work training camps, concentration camp subcamps, places of resistance activities, secret meeting and hiding places, etc. The photographs have been taken as notations and photographic sequences and edited into photofilms. Three text levels are added, which differ visually: 1. Key words of resistance, 2. The History of the location, 3. Our personal situation: who we are, where we are right now, where we come from and what the lock-down does to us. Some of us included their personal experience of emigration, war and exil.

Sajad Bayeqra, Salma Jaber, Raha Shegeft, Nora Richter, Hamid Mohammadi, Ziyad Ahmed, Marcelina Massenbach, Atau Hámos, Katja Pratschke, group wannseeFORUM Berlin&#60;img width="1680" height="967" width_o="1680" height_o="967" data-src="https://freight.cargo.site/t/original/i/d756717212cf7a090775305dd0f64df798db8a97cca64e1aa136afa56bd49fb1/FH.jpg" data-mid="98300264" border="0"  src="https://freight.cargo.site/w/1000/i/d756717212cf7a090775305dd0f64df798db8a97cca64e1aa136afa56bd49fb1/FH.jpg" /&#62;
May 7 2020 &#38;nbsp;
 
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; As part of the international project ART WORKS! - European Culture of Resistance and Liberation we went on the search for artworks, that were created as a sign of resistance. After researching the Resistance during WW II individually, we realized that all of us focused on female historical figures. Thus, we chose to focus mainly on that aspect of the Resistance: the stories and accomplishments of those who are seldomly heard, whose stories are fractured and even harder to re-trace: the female resistance. During our research, we found out about Hilde Meisel - a resistance fighter in the Second World War. We were fascinated by her story and decided to make her poem ‘Das ist's’ the centrepiece of our artistic work. Using analogue and 3D Animation, 2D visuals and accompanying soundscapes, we created a short film. The goal hereby was to display the unity, diversity and fortitude of those who fought for liberty and justice. Today, 75 years after the liberation of the concentration camps and the end of the war we want to deliver the message Hilde Meisel once tried to make us understand: that solely you it's not.

Zoé Gendron, Franziska Hinteregger, Sara Hörtenhuber, Minou Nekolny, Janine Scheer, Kerstin Schwarz, Catherine Spet, FH St. Pölten in cooperation with Center of Contemporary History Melk

May 5 2020
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; The MSU Youth Club, mentored by artist OKO, started their research individually. After bringing together what they found, they looked into narratives excluded or marginalized from the schools' history books. But they also wanted to include the Yugoslavian war around 1991, because its consequences still shape the political and remembrance culture of today. With the outbreak of Covid-19, they had to deviate from their original plan to make a walk-in sculpture and move into the digital space.





&#60;img width="3046" height="1864" width_o="3046" height_o="1864" data-src="https://freight.cargo.site/t/original/i/07b31b3200f7c4ba05057ca4063b5d3dd632b34433cf97ed866b257b850f41da/resistance_bozen.jpg" data-mid="98300304" border="0"  src="https://freight.cargo.site/w/1000/i/07b31b3200f7c4ba05057ca4063b5d3dd632b34433cf97ed866b257b850f41da/resistance_bozen.jpg" /&#62;
May 5 2020
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; The youth group from Museion Bolzano, consisting of Abram Tomasi, Gessica de Oliva, Samira Mosca, Lucia Rose Buffa, Tomas Grosello, Camilla Saiz, Giada Cardillo, Nicole Fersko, and mentored by visual artist and researcher Alessandra Ferrini, has created a video contribution titled About resistance (in remote-mode). Their work process can be traced via their specially created Tumblr page: https://artworksmuseion.tumblr.com
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
&#60;img width="1900" height="1348" width_o="1900" height_o="1348" data-src="https://freight.cargo.site/t/original/i/b3845a5433cdd742a9b3d915967160d5e0ceb3ae1c86f3cbac957f66bbe10868/5generaele.jpg" data-mid="98300280" border="0"  src="https://freight.cargo.site/w/1000/i/b3845a5433cdd742a9b3d915967160d5e0ceb3ae1c86f3cbac957f66bbe10868/5generaele.jpg" /&#62;General Stanley Reinhart und General Dmitri Dritschkin, May 8, 1945 in Erlauf
© Erlauf Erinnert

&#60;img width="1200" height="852" width_o="1200" height_o="852" data-src="https://freight.cargo.site/t/original/i/a2a5fea84108415237e79c8a4b8d9a399401174af7aacd2dcc6ce8a9fae6a82b/6-II_1_4_whisky.jpg" data-mid="98300302" border="0"  src="https://freight.cargo.site/w/1000/i/a2a5fea84108415237e79c8a4b8d9a399401174af7aacd2dcc6ce8a9fae6a82b/6-II_1_4_whisky.jpg" /&#62;
Peace Celebration, May 8, 1965 © Erlauf Erinnert, Heereslichtbildstelle

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Jenny Holzer, Peace Monument, 1995 © Erlauf Erinnert

&#60;img width="1200" height="1807" width_o="1200" height_o="1807" data-src="https://freight.cargo.site/t/original/i/c3d289c5a298232f63b67b3011490bd9f0a5eef485b127e860aa1a2e0ba5c2d0/7-II_IV_41_komov_hoch.jpg" data-mid="98300261" border="0"  src="https://freight.cargo.site/w/1000/i/c3d289c5a298232f63b67b3011490bd9f0a5eef485b127e860aa1a2e0ba5c2d0/7-II_IV_41_komov_hoch.jpg" /&#62;Oleg Komov, Peace Monument, 1995 © &#38;nbsp;Erlauf Erinnert

May 4 2020
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;The Soviet general Dmitri Dritschkin and the US general Stanley Reinhart celebrated the Allied victory and the official end of the World War II in the night of May 8-9 in 1945 in Erlauf, but the event was soon forgotten. Twenty years later, US military documents about this meeting were found and sent to Erlauf by two Jewish emigrants, now living in the US. A memorial plaque was officially unveiled at the town hall a few years later. Since then, the city of Erlauf has continued to organize a celebration ceremony every year that eventually evolved into the celebration of Friedenstage (Days of Peace). 
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Following the first celebrations starting in 1965, Erlau has now shifted its focus to celebrate the event with contemporary art. In 1995, peace monuments by Jenny Holzer and Oleg Komov were erected. Art projects in public space and the Peace Memorial Museum’s historical and art exhibitions are open to the public. [Erlauf Erinnert]

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Resistance meant also to help the comrades, solidarity.
Yves Briand, survivor of Melk concentration camp.
&#60;img width="2427" height="1361" width_o="2427" height_o="1361" data-src="https://freight.cargo.site/t/original/i/a70ce8977008b58949104b5acccf5e5f041a501da5610be7eb9068a31bffadfa/Christian.jpg" data-mid="98300272" border="0"  src="https://freight.cargo.site/w/1000/i/a70ce8977008b58949104b5acccf5e5f041a501da5610be7eb9068a31bffadfa/Christian.jpg" /&#62;
April 26 2020

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; We begin our tour of the Melk Memorial at Melk railway station, which is located directly in the centre of the village. Melk has always been famous for its baroque monastery and is considered the ‘Gateway to the World Cultural Heritage Wachau’. But why do we start here at the train station? Because the first 500 prisoners arrived here by trainon April 21, 1944. And because all the other 14,000 prisoners from main-camp Mauthausen were also transported here to the train station.

Christan Rabl has produced a virtual tour with 11 short videos through the Melk Memorial. Click here to watch them. [Virtual tour]

&#60;img width="1185" height="1080" width_o="1185" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c752ad694f5c1d604ccc89b76f3c65f9aebc0c8f6ca4755c4c1d2490f5a9d23a/Lager-Melk.jpg" data-mid="98300303" border="0"  src="https://freight.cargo.site/w/1000/i/c752ad694f5c1d604ccc89b76f3c65f9aebc0c8f6ca4755c4c1d2490f5a9d23a/Lager-Melk.jpg" /&#62;
Luftbilddatenbank Dr. Carls GmbH, Dezember 26 1944

&#60;img width="3968" height="2976" width_o="3968" height_o="2976" data-src="https://freight.cargo.site/t/original/i/1aac1865f37f0664e292d5c391a9bbb7dd23eab5f83f012eb4c1445ebde0eb3d/IMG_20171014_142205.jpg" data-mid="98300262" border="0"  src="https://freight.cargo.site/w/1000/i/1aac1865f37f0664e292d5c391a9bbb7dd23eab5f83f012eb4c1445ebde0eb3d/IMG_20171014_142205.jpg" /&#62;
© Melk Memorial
April 22 2020
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; From 1944 to 1945 Melk was a satellite camp of the Mauthausen concentration camp and the most significant satellite camp in lower Austria with about 14.400 prisoners from more than 20 countries. They were forced to work primarily digging an underground tunnel complex in which the Steyr-Daimler-Puch Company produced war material. About 5.000 prisoners died during their imprisonment. The former crematorium building was declared a public monument in 1962, and since has been the home of the Melk concentration camp memorial. A range of exhibitions and events have been organised in an effort to educate and remind the public of the horrible occurrences that have taken place here. Melk Memorial is also a project partner and will co-host the online memorial and peace celebration on the 9th of May.

&#60;img width="2128" height="802" width_o="2128" height_o="802" data-src="https://freight.cargo.site/t/original/i/766c98bbbeb616b14ca47c0e938d4d694e2ea66cec759e2b4a0637c00f52c4d1/Bildschirmfoto-2020-04-23-um-16.03.40.png" data-mid="98300299" border="0"  src="https://freight.cargo.site/w/1000/i/766c98bbbeb616b14ca47c0e938d4d694e2ea66cec759e2b4a0637c00f52c4d1/Bildschirmfoto-2020-04-23-um-16.03.40.png" /&#62;
April 23 2020&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ONE WEEK PEACE is an artistic initiative that aims to affect all human senses in order to sensitize people to the important topic of "peace" through the medium of art. The speakers are concerned with today while at the same time forging a link to the legacy of Nobel Peace Prize Laureate Bertha von Suttner. The Bertha von Suttner Peace Academy is an impulse to take further steps toward the peaceful co-existence of societies in the present and future. The goal is to mobilize peoples' thoughts in regard to peace and to integrate these into everyday life so as to effect the making of peace. [Read more]

&#60;img width="1134" height="737" width_o="1134" height_o="737" data-src="https://freight.cargo.site/t/original/i/820c1f785989c5ff7132406e5db4b08673b2044e6365319d8ddffbf175b396b4/02-05-09-2015-105_min2.jpg" data-mid="98300278" border="0"  src="https://freight.cargo.site/w/1000/i/820c1f785989c5ff7132406e5db4b08673b2044e6365319d8ddffbf175b396b4/02-05-09-2015-105_min2.jpg" /&#62;
Sachsenhausen Memorial and Museum © Stiftung Brandenburgische Gedenkstätten, photo: Lars Wendt

&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/8dff09c09ab25df67b312e2f7ee7283e8abc16e9c7b68360816613bb3fbf8900/2_Kommandantur.jpg" data-mid="98300293" border="0"  src="https://freight.cargo.site/w/1000/i/8dff09c09ab25df67b312e2f7ee7283e8abc16e9c7b68360816613bb3fbf8900/2_Kommandantur.jpg" /&#62;
Memorial Museum Ravensbrück © Stiftung Brandenburgische Gedenkstätten, photo: Britta Pawelke
April 21 2020
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; These are the online commemoration ceremonies of the former concentration camps Sachenhausen and Ravensbrück.

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; It may seem a ridiculous idea, but the only way to fight the plague is with decency. Albert Camus
&#60;img width="1200" height="900" width_o="1200" height_o="900" data-src="https://freight.cargo.site/t/original/i/9b7fadd1490a0c219d033e771de32002bd72d70d9d9f28c3914a871df547bd03/IMG_3121.jpg" data-mid="98300276" border="0"  src="https://freight.cargo.site/w/1000/i/9b7fadd1490a0c219d033e771de32002bd72d70d9d9f28c3914a871df547bd03/IMG_3121.jpg" /&#62;
Working Group St. Pölten, Feb 26

&#60;img width="1200" height="730" width_o="1200" height_o="730" data-src="https://freight.cargo.site/t/original/i/169a5c210b4c6a77e10db4a63c635a1afdb8571b4d9475497e5a6ea8c5c52679/Padlet.jpg" data-mid="98300289" border="0"  src="https://freight.cargo.site/w/1000/i/169a5c210b4c6a77e10db4a63c635a1afdb8571b4d9475497e5a6ea8c5c52679/Padlet.jpg" /&#62;
Working Group St. Pölten, March 12

March 20 2020
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Due to the current COVID-19 pandemic, we are moving the artistic working process with all youth groups, artists and partner institutions into the digital realm. Deviating from the planned course, we aim to create an international online celebration of the end of World War II, using the social media and online presence of all institutions and communities involved. More soon.
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Fascism, racism, sexism, and oppression in general are the product of universal stupidity. You’re not going to beat them at the level of opinion. Ideology perpetuates itself on the plateau of opinion because all thought is barred there since it demands disrupting doxa.Marcus Steinweg
&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/4b9d171e555a502b12a78aee7ef4ce5e5cd399d7530bde18a7eaa316bdd65a04/IMG_3139.jpeg" data-mid="98300274" border="0"  src="https://freight.cargo.site/w/1000/i/4b9d171e555a502b12a78aee7ef4ce5e5cd399d7530bde18a7eaa316bdd65a04/IMG_3139.jpeg" /&#62;
March 11 2020
Demokratie ist kein Kopfbahnhof[Democracy is not a dead-end station]
MO Journal For Human Rights N°58 p.27


&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; In der „Allgemeinen Erklärung der Menschenrechte“ vom 10. Dezember 1948 erklären die Mitgliedsstaaten der UN die angeborene Würde aller Menschen zu respektieren, allen Menschen die gleichen Rechte zu zugestehen und sie vor willkürlicher Gewalt zu schützen. Und es ist kein Zufall, dass diese Erklärung so kurz nach Ende des 2. Weltkrieges verkündet wurde. Gerade das Nazi-Regime hatte aufgezeigt, welch verheerende Folgen eine Missachtung der Menschenrechte hat. Vor diesem historischen Hintergrund übernehmen wir als österreichische Bürger*innen besondere Verantwortung. Immer wieder fragen wir uns auch als Künstler*innen, was unsere gesellschaftspolitische Verantwortung ist, und welche Ausdrucksformen diese Verantwortung annehmen kann. Heuer starteten wir daher das interdisziplinäre Kunstprojekt “Art Works! European Culture of Resistance und Liberation”, in dem sich junge Menschen mit Widerstand gegen Faschismus in Europa und der Befreiung davon aus künstlerischer und historisch-politischer Perspektive auseinandersetzen. Ist Kunst ein probates Mittel gesellschaftspolitischen Widerstand zu leisten und für Menschenrechte einzutreten?&#38;nbsp; […] Statement by Ruth Anderwald + Leonhard Grond, editor Magdalena Stern. German only.

&#60;img width="870" height="489" width_o="870" height_o="489" data-src="https://freight.cargo.site/t/original/i/0c986f3410d4ddc18681431e242bc44083c17cdd56313ab3269107abdb434105/6ceacd1a-2553-41b1-a424-a7a5ac68f404.jpg" data-mid="98300288" border="0"  src="https://freight.cargo.site/w/870/i/0c986f3410d4ddc18681431e242bc44083c17cdd56313ab3269107abdb434105/6ceacd1a-2553-41b1-a424-a7a5ac68f404.jpg" /&#62;
March 9 2020
The Council of Europe celebrates the 70th anniversary of European Convention on Human Rights
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; The European Convention on Human Rights came into being against the dreadful background of the devastation of the Second World War, reflecting a determination on the part of European leaders to learn from the mistakes of the past and to help protect individuals from State abuse. Peace and stability could only be achieved by the consolidation of democracy and the rule of law. Inspired by the Universal Declaration on Human Rights, the Convention is a unique, legally-binding treaty, overseen by an independent international court, which safeguards people’s basic rights and fundamental freedoms. Initially signed by 12 countries on 4 November 1950, the Convention now protects over 830 million people in 47 European States. [Read more]
March 6 2020
 Prisoners songs of resistance from the Sachsenhausen concentration camp
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; More than 200,000 people were interned in Sachsenhausen concentration camp between 1936 and 1945. They included political opponents of the Nazi regime, members of groups declared by the Nazis to be racially or biologically inferior, such as Jews, Sinti and Roma, and people persecuted as homosexuals, as well as so-called “career criminals” and “antisocials”. Initially, the internees were predominantly German citizens, but after the outbreak of the Second World War, tens of thousands of people were deported from the occupied territories to Sachsenhausen concentration camp, including political opponents of National Socialism or of the collaborating governments, foreign forced labourers and Allied prisoners of war. In 1944, around 90 % of the internees were foreigners, with citizens of the Soviet Union and Poland forming the largest groups. There were also around 20,000 women among the internees in Sachsenhausen concentration camp. (https://www.sachsenhausen-sbg.de/en/history/1936-1945-sachsenhausen-concentration-camp/)
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; The songs they sung gave them power to resist and to survive. The book was made in the camp organiced by the illegal prisoner resistance organisation. (Sachsenhausen- Liederbuch: Originalwiedergabe eines illegalen Häftlingsliederbuches aus dem Konzentrationslager Sachsenhausen / Günter Morsch (Hrsg.), Berlin 1995)
&#60;img width="1246" height="704" width_o="1246" height_o="704" data-src="https://freight.cargo.site/t/original/i/56b0c02b4f57a38fa18be7b5e7419a8509ca5651bea38038b01a669079ad3303/Bildschirmfoto-2020-03-06-um-11.28.14.png" data-mid="98300258" border="0"  src="https://freight.cargo.site/w/1000/i/56b0c02b4f57a38fa18be7b5e7419a8509ca5651bea38038b01a669079ad3303/Bildschirmfoto-2020-03-06-um-11.28.14.png" /&#62;
March 5 2020
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp;The eyewitness Poul Nielson talks about his time in the Sachsenhausen concentration camp. The interview with him was conducted by Christel Trouvé and Roman Fröhllich in 2010.
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp;As the interview is not public, please send a message to this address ︎ and we will provide the password. Click here for the video: ︎ The video is available only in German.
March 4 2020
Uyghurs For Sale

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp;In May we will visit the former concentration camp Melk Memorial, one of the biggest satellite camps of Mauthausen concentration camp, where prisoners were forced to work for Steyr-Daimler-Puch producing war material (mainly ball bearings). Unfortunately, forced labour is not an issue of the past but still very present, even in products we may buy or use on a daily basis. 
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; The Chinese government has facilitated the mass transfer of Uyghur and other ethnic minority citizens from the far west region of Xinjiang to factories across the country. Under conditions that strongly suggest forced labour, Uyghurs are working in factories that are in the supply chains of at least 83 well-known global brands in the technology, clothing and automotive sectors, including Apple, BMW, Gap, Huawei, Nike, Samsung, Sony and Volkswagen. (Australian Strategic Policy Institute) [Read more]&#60;img width="1600" height="1200" width_o="1600" height_o="1200" data-src="https://freight.cargo.site/t/original/i/f2250dec37ce24807ccf8afa7691dee35392cb35abb3145ad21129346bd123b9/IMG-20200303-WA0020.jpg" data-mid="98300287" border="0"  src="https://freight.cargo.site/w/1000/i/f2250dec37ce24807ccf8afa7691dee35392cb35abb3145ad21129346bd123b9/IMG-20200303-WA0020.jpg" /&#62;
&#60;img width="1600" height="1200" width_o="1600" height_o="1200" data-src="https://freight.cargo.site/t/original/i/3b307ff1634a0433ea3df2b16a9799f6b140ad6523f4486825c6054d98a11d25/IMG-20200303-WA0015.jpg" data-mid="98300259" border="0"  src="https://freight.cargo.site/w/1000/i/3b307ff1634a0433ea3df2b16a9799f6b140ad6523f4486825c6054d98a11d25/IMG-20200303-WA0015.jpg" /&#62;&#60;img width="1600" height="1200" width_o="1600" height_o="1200" data-src="https://freight.cargo.site/t/original/i/16a0828f196277c3b39e890ca76d73a9386beb6609d399d51a8cde98cd6631cf/IMG-20200303-WA0017.jpg" data-mid="98300281" border="0"  src="https://freight.cargo.site/w/1000/i/16a0828f196277c3b39e890ca76d73a9386beb6609d399d51a8cde98cd6631cf/IMG-20200303-WA0017.jpg" /&#62;&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/c3223e4e2c8bb40c5bb3dde6c3c3144cd2ecbb5c2bde0e285228670d3921aa43/IMG_20200225_184749.jpg" data-mid="98300271" border="0"  src="https://freight.cargo.site/w/1000/i/c3223e4e2c8bb40c5bb3dde6c3c3144cd2ecbb5c2bde0e285228670d3921aa43/IMG_20200225_184749.jpg" /&#62;&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/d9ef3f064ccef6b2239777af6c29b8cb22f5227937ba068ce3a8d8adf6358d9f/IMG_20200225_184706.jpg" data-mid="98300277" border="0"  src="https://freight.cargo.site/w/1000/i/d9ef3f064ccef6b2239777af6c29b8cb22f5227937ba068ce3a8d8adf6358d9f/IMG_20200225_184706.jpg" /&#62;
February 25 and March 3 2020

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp;Brainstorming with MSU Youth Club and OKO.&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/ffefbaaa368764330047a1570d7a7564cd0012a019c33a1c117e2b0b8659d773/DSC_0904.JPG" data-mid="98300257" border="0"  src="https://freight.cargo.site/w/1000/i/ffefbaaa368764330047a1570d7a7564cd0012a019c33a1c117e2b0b8659d773/DSC_0904.JPG" /&#62;
January 18 2020
Red Light – Yugoslav Partisan Potography and Social Movement 1941–1945

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp;A lecture by Davor Konjikušić for the Youth Club of MSU, Museum of Contemporary Art, Zagreb.

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp;Davor Konjikušić is a freelance journalist and photographer based in Zagreb, Croatia, working for a range of media in Croatia and Serbia. Born in Zenica (Bosnia and Herzegovina) in 1979, he studied political sciences but holds also degrees in cinematography and photography. His work uses photography as a primary medium in articulating his artistic concept, in which he explores the relationships between public and private, intimate and socio-political.
&#60;img width="2644" height="2489" width_o="2644" height_o="2489" data-src="https://freight.cargo.site/t/original/i/e1c4ca2cf8103ed3d71f23dc64867e8fcce9a229453c6aef699033faf64b85b6/2020-01-23---Bezirksblatter-Melk.jpg" data-mid="98300275" border="0"  src="https://freight.cargo.site/w/1000/i/e1c4ca2cf8103ed3d71f23dc64867e8fcce9a229453c6aef699033faf64b85b6/2020-01-23---Bezirksblatter-Melk.jpg" /&#62;
January 23 2020

Widerstand in künstlerischer Art, Bezirksblatt Melk

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp;This article published in the regional newspaper describes the first preparatory meeting of all partners and artists in Melk.
&#60;img width="1200" height="1463" width_o="1200" height_o="1463" data-src="https://freight.cargo.site/t/original/i/d5d36922ce56c99b0df522e21ee1face788fac4c5064dae3801d98932131ad5a/serveimage_3.jpg" data-mid="98300269" border="0"  src="https://freight.cargo.site/w/1000/i/d5d36922ce56c99b0df522e21ee1face788fac4c5064dae3801d98932131ad5a/serveimage_3.jpg" /&#62;
&#60;img width="2128" height="2560" width_o="2128" height_o="2560" data-src="https://freight.cargo.site/t/original/i/ede3f6601c0496b94f784019a2297678ee8953d6f56a1dcd0547fe21b1cd429d/serveimage.jpg" data-mid="98300255" border="0"  src="https://freight.cargo.site/w/1000/i/ede3f6601c0496b94f784019a2297678ee8953d6f56a1dcd0547fe21b1cd429d/serveimage.jpg" /&#62;
January 21 2020
New Book: The Art of Protest: A Visual History of Dissent and Resistance 
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Jo Rippon’s The Art of Protest is published by Palazzo in partnership with Amnesty International. (palazzoeditions.com)
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp;A timely new publication explores the last century of activist imagery, exploring the role artists and designers have played in protest movements of all kinds.
&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/bc6b91b024e3002872981c114b5c737ef4c529659f81ce712b0ffd5bafba96a3/IMG_5020.jpg" data-mid="98300263" border="0"  src="https://freight.cargo.site/w/1000/i/bc6b91b024e3002872981c114b5c737ef4c529659f81ce712b0ffd5bafba96a3/IMG_5020.jpg" /&#62;&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/46e8d0b5ffc148c08d21554c767ab06697be1f15ba3960cc9487611bfaaa9404/IMG_5019.jpg" data-mid="98300254" border="0"  src="https://freight.cargo.site/w/1000/i/46e8d0b5ffc148c08d21554c767ab06697be1f15ba3960cc9487611bfaaa9404/IMG_5019.jpg" /&#62;
&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/4dc89966dcf1e4fd90210e945a071ddddc32d239d52d6a54832aa56b4773433a/IMG_2934.jpeg" data-mid="98300256" border="0"  src="https://freight.cargo.site/w/1000/i/4dc89966dcf1e4fd90210e945a071ddddc32d239d52d6a54832aa56b4773433a/IMG_2934.jpeg" /&#62;&#60;img width="1200" height="1800" width_o="1200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/14858112f031b4e72657af91c0be01568b3220474e24db7c6fa14ef031f62dff/IMG_5026.jpg" data-mid="98300252" border="0"  src="https://freight.cargo.site/w/1000/i/14858112f031b4e72657af91c0be01568b3220474e24db7c6fa14ef031f62dff/IMG_5026.jpg" /&#62;&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/75370ef0d4cec38ed103ef31a45ef2f50340ddccd4721e5c31b053e7a9da0002/IMG_5032.jpg" data-mid="98300253" border="0"  src="https://freight.cargo.site/w/1000/i/75370ef0d4cec38ed103ef31a45ef2f50340ddccd4721e5c31b053e7a9da0002/IMG_5032.jpg" /&#62;
&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/1c11777adce6fef874aba9786cc660f88cbd8f6bf57822da2d1ffd16760b7908/IMG_2936.jpeg" data-mid="98300249" border="0"  src="https://freight.cargo.site/w/1000/i/1c11777adce6fef874aba9786cc660f88cbd8f6bf57822da2d1ffd16760b7908/IMG_2936.jpeg" /&#62;&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/97df4875de0e016c10bd05a0d196c96979ab79eec32b606e38ab8a1672cf97ca/IMG_5061.jpg" data-mid="98300250" border="0"  src="https://freight.cargo.site/w/1000/i/97df4875de0e016c10bd05a0d196c96979ab79eec32b606e38ab8a1672cf97ca/IMG_5061.jpg" /&#62;&#60;img width="2871" height="1657" width_o="2871" height_o="1657" data-src="https://freight.cargo.site/t/original/i/c3afe087376e47549e5fd98ad199d9078ff05c9fd751059b7e99370e65f14904/IMG_2942.jpeg" data-mid="98300247" border="0"  src="https://freight.cargo.site/w/1000/i/c3afe087376e47549e5fd98ad199d9078ff05c9fd751059b7e99370e65f14904/IMG_2942.jpeg" /&#62;
January 17 2020
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp;Second day of our Multipliers Meeting in Melk: With the train we travelled to the peace community Erlauf. When the unconditional surrender was signed in Berlin on May 8 1945, on the same day a handshake between the two generals Dimitri Drichkin (Soviet Army) and Stanley Reinhart (U.S. Army) took place in Erlauf.&#38;nbsp;In the late afternoon we visited the Melk Memorial. 
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp;The aim of co-creation is to create shared value. […] It’s not about finding the right idea, it’s about finding a multitude of ideas.

RICHES – Renewal, Innovation and Change: Heritage and European Society[Read more]
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/66047c6d8dc1c1de9eb5457c51b4399c1cf648fc9891dfd268ce43c84934398f/DSC09520.JPG" data-mid="98300248" border="0"  src="https://freight.cargo.site/w/1000/i/66047c6d8dc1c1de9eb5457c51b4399c1cf648fc9891dfd268ce43c84934398f/DSC09520.JPG" /&#62;
&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/7e3821cf68288667f977e0d08200af7e065562a673e6253a2be440181e3c310b/Anderwald_Grond---93.jpg" data-mid="98300251" border="0"  src="https://freight.cargo.site/w/1000/i/7e3821cf68288667f977e0d08200af7e065562a673e6253a2be440181e3c310b/Anderwald_Grond---93.jpg" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/3d0bab87e832538378c14a220c6e2151ee547970916786d67faa7d6ca478294e/DSC09501.JPG" data-mid="98300246" border="0"  src="https://freight.cargo.site/w/1000/i/3d0bab87e832538378c14a220c6e2151ee547970916786d67faa7d6ca478294e/DSC09501.JPG" /&#62;&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/a1566c8d88aac8f00e1570d219cf1979a496eff0390ffbcd8d8e957319d6d4a6/DSC09513.JPG" data-mid="98300241" border="0"  src="https://freight.cargo.site/w/1000/i/a1566c8d88aac8f00e1570d219cf1979a496eff0390ffbcd8d8e957319d6d4a6/DSC09513.JPG" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/0adc0f5518e784811ff0e1d3bfc6f7bfe32516679757a0399e0922995a58b819/DSC09512.JPG" data-mid="98300244" border="0"  src="https://freight.cargo.site/w/1000/i/0adc0f5518e784811ff0e1d3bfc6f7bfe32516679757a0399e0922995a58b819/DSC09512.JPG" /&#62;&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/dd3f5165073c9b59757ec97bd255f22f723fbb0ddb7ecd90c21bc172ba3f12cf/Anderwald_Grond---103.jpg" data-mid="98300243" border="0"  src="https://freight.cargo.site/w/1000/i/dd3f5165073c9b59757ec97bd255f22f723fbb0ddb7ecd90c21bc172ba3f12cf/Anderwald_Grond---103.jpg" /&#62;
January 16 2020
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp;Here are some photos of our arrival day of the Multipliers Meeting in Melk at the Center for Contemporary History. The very first time we all came together to jointly develop our project further. Many thanks to Christian Rabl for the warm welcome and the photos!
January 13 2020
Human Rights Education as an educational framework of our project
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp;Empowerment through human rights education is about more than just content; it can only be achieved if the education process also includes participatory learning methods and is relevant to the daily lives and lived experiences of learners.&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp;This lived knowledge and awareness of human rights principles builds a “culture of human rights” — that is, a society in which each of us is encouraged and empowered to take the initiative to respect, protect and promote the full spectrum of human rights for all. [Read more]&#60;img width="1200" height="1357" width_o="1200" height_o="1357" data-src="https://freight.cargo.site/t/original/i/c0240eb77922e9c544da1ff464d6720b9733fe5d27f43be894981fc85c67fd7f/IMG_2633.jpg" data-mid="98300245" border="0"  src="https://freight.cargo.site/w/1000/i/c0240eb77922e9c544da1ff464d6720b9733fe5d27f43be894981fc85c67fd7f/IMG_2633.jpg" /&#62;
&#60;img width="1200" height="729" width_o="1200" height_o="729" data-src="https://freight.cargo.site/t/original/i/4de0fbae63283a1ccd238d428d696f0d59259b40187960e2595caca68ee91f1c/IMG_2624.jpg" data-mid="98300242" border="0"  src="https://freight.cargo.site/w/1000/i/4de0fbae63283a1ccd238d428d696f0d59259b40187960e2595caca68ee91f1c/IMG_2624.jpg" /&#62;
&#60;img width="1200" height="718" width_o="1200" height_o="718" data-src="https://freight.cargo.site/t/original/i/7ae9ecaffc60798656b23fb3a53085f31b38318679408a1b7cf056bad70bf066/IMG_2632.jpg" data-mid="98300240" border="0"  src="https://freight.cargo.site/w/1000/i/7ae9ecaffc60798656b23fb3a53085f31b38318679408a1b7cf056bad70bf066/IMG_2632.jpg" /&#62;&#60;img width="1200" height="812" width_o="1200" height_o="812" data-src="https://freight.cargo.site/t/original/i/2cc3965db033156f7869467e8512a401b362b1ea88851fac7528c7e3f1ac2a19/IMG_2629.jpg" data-mid="98300237" border="0"  src="https://freight.cargo.site/w/1000/i/2cc3965db033156f7869467e8512a401b362b1ea88851fac7528c7e3f1ac2a19/IMG_2629.jpg" /&#62;&#60;img width="1200" height="770" width_o="1200" height_o="770" data-src="https://freight.cargo.site/t/original/i/85fbe371b20c6855306e0282d41aaef448fb6ad5f8a9e7820ae945f5b53a2ed5/IMG_2625.jpg" data-mid="98300238" border="0"  src="https://freight.cargo.site/w/1000/i/85fbe371b20c6855306e0282d41aaef448fb6ad5f8a9e7820ae945f5b53a2ed5/IMG_2625.jpg" /&#62;&#60;img width="1200" height="1600" width_o="1200" height_o="1600" data-src="https://freight.cargo.site/t/original/i/2c2656974f6460a649955f3663c723c8ea6508f18536a5b231c3b33724c5e8d6/IMG_2640.jpg" data-mid="98300235" border="0"  src="https://freight.cargo.site/w/1000/i/2c2656974f6460a649955f3663c723c8ea6508f18536a5b231c3b33724c5e8d6/IMG_2640.jpg" /&#62;
December 13 to 15 2019
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp;Finally, we got together in Berlin to start with the workshops. The artist Katja Pratschke and Roman Fröhlich guided the Berlin youth group through the former concentration camp Sachsenhausen Memorial in order to search for traces of resistance. In the meeting rooms of the memorial we collected first ideas about the terms resistance and liberation. Leonhard Grond discussed the responsibility of the artist and architect in this context. &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp;Already in one month, we will all meet in Melk to plan the workshops and youth exchange in May in more detail.&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp;Peace is a certain resistance to the terrible satisfactions of war. It’s a commitment to living with a certain kind of vulnerability to others and susceptibility to being wounded that actually gives our individual lives meaning. Judith Butler&#60;img width="1200" height="474" width_o="1200" height_o="474" data-src="https://freight.cargo.site/t/original/i/7f2fb4f76f25305c8b12ebdf7e5f3134ff2be7f007e52c7c2b8d864b8be211f8/IMG_2358.jpg" data-mid="98300239" border="0"  src="https://freight.cargo.site/w/1000/i/7f2fb4f76f25305c8b12ebdf7e5f3134ff2be7f007e52c7c2b8d864b8be211f8/IMG_2358.jpg" /&#62;
October 22 + 23 2019
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp;After the workshop with the youths in Bolzano, Ruth Anderwald and Leonhard Grond travelled to the Memorial and Museum Auschwitz-Birkenau. In Block 27 they discovered documentation of the magazine Vedem, a resistence magazine dedicated to culture, arts and news, that existed from 1942 to 1944 in the Terezín Concentration camp. Vedem was hand-produced by a group of boys, among them editor-in-chief Petr Ginz and Hanuš Hachenburg. Altogether, some 800 pages of Vedem survived World War II. In 2003 Petr Ginz's drawing of planet Earth from the perspective of the Moon was taken to the Space Shuttle Columbia by Israeli astronaut Ilan Ramon, but the space shuttle was destroyed when it re-entered the Earth's atmosphere.

&#60;img width="1200" height="1818" width_o="1200" height_o="1818" data-src="https://freight.cargo.site/t/original/i/ab4bf9f558d4bf415f5524d8019863a849ba932e3f253c4ed5fa8c55cf0c3d0c/IMG_2295.jpg" data-mid="98300232" border="0"  src="https://freight.cargo.site/w/1000/i/ab4bf9f558d4bf415f5524d8019863a849ba932e3f253c4ed5fa8c55cf0c3d0c/IMG_2295.jpg" /&#62;&#60;img width="1200" height="900" width_o="1200" height_o="900" data-src="https://freight.cargo.site/t/original/i/480ae0dbe5d754c13689dce709f03d202aa4bb9115293fb9ba4016e4e3c8d033/IMG_2302.jpg" data-mid="98300234" border="0"  src="https://freight.cargo.site/w/1000/i/480ae0dbe5d754c13689dce709f03d202aa4bb9115293fb9ba4016e4e3c8d033/IMG_2302.jpg" /&#62;&#60;img width="1200" height="812" width_o="1200" height_o="812" data-src="https://freight.cargo.site/t/original/i/bd6369cca90790e619bea2379f35b6c723936fc926cf341b16798c283858cadf/IMG_2317.jpg" data-mid="98300231" border="0"  src="https://freight.cargo.site/w/1000/i/bd6369cca90790e619bea2379f35b6c723936fc926cf341b16798c283858cadf/IMG_2317.jpg" /&#62;
&#60;img width="1200" height="1019" width_o="1200" height_o="1019" data-src="https://freight.cargo.site/t/original/i/441c1cbfa14e34e3b94ece419f962c2738a3c6a8cb5b478153c36958392fc2e7/Journal.jpg" data-mid="98300236" border="0"  src="https://freight.cargo.site/w/1000/i/441c1cbfa14e34e3b94ece419f962c2738a3c6a8cb5b478153c36958392fc2e7/Journal.jpg" /&#62;
&#60;img width="1200" height="742" width_o="1200" height_o="742" data-src="https://freight.cargo.site/t/original/i/b2727b1a1ae1f7c7911e684a57cca401a3081014123bcdf0e53712bf502285d8/IMG_2304.jpg" data-mid="98300229" border="0"  src="https://freight.cargo.site/w/1000/i/b2727b1a1ae1f7c7911e684a57cca401a3081014123bcdf0e53712bf502285d8/IMG_2304.jpg" /&#62;
&#60;img width="1200" height="1095" width_o="1200" height_o="1095" data-src="https://freight.cargo.site/t/original/i/384c6a8cbe2224a1b3ab1529412d65866460a6b2782e171ea989234c1512287c/IMG_2285.jpg" data-mid="98300233" border="0"  src="https://freight.cargo.site/w/1000/i/384c6a8cbe2224a1b3ab1529412d65866460a6b2782e171ea989234c1512287c/IMG_2285.jpg" /&#62;
October 19 + 20 2019
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; This weekend the workshops in Bolzano started. After a guided tour through the documentation exhibition in the monument of the victory in Bozen/Bolzano, London-based artist Alessandra Ferrini worked with a group of young people at Museion.

	



</description>
		
	</item>
		
		
	<item>
		<title>WORKSHOP Dec 2025</title>
				
		<link>https://culture-of-resistance.eu/WORKSHOP-Dec-2025</link>

		<pubDate>Tue, 09 Dec 2025 09:05:17 +0000</pubDate>

		<dc:creator>Culture of Resistance</dc:creator>

		<guid isPermaLink="true">https://culture-of-resistance.eu/WORKSHOP-Dec-2025</guid>

		<description>
	
	Workshop&#38;nbsp;
December 2025

	



	EUROPEAN CULTURE OF RESISTANCE
	The Johannesburg Holocaust &#38;amp; Genocide CentreResist Together! Modes of Coexistence


4.12.2025

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Remembering the past is meaningful, but its impact on our agency is meaningful only in relation to the present and future. If we fail to reflect on and learn from past experiences, we are bound to be confounded time and time again. Remembering Genocide and its prevention are no exception. Anchored in the interdisciplinary project The Arts of Resistance,&#38;nbsp;Resist Together! Modes of Coexistence aims to develop a toolkit from workshops in Johannesburg and Vienna that combine historical research, critical analysis, and co-creative artistic practice in a dynamic process.&#38;nbsp;This toolkit will then be provided for further use in an educational and civil society context. Thus, this project explores new ways of facilitating and distributing remembrance work through and with the arts.

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Resist Together! Modes of Coexistence uses artistic means such as storytelling, somatics, performative methods and visual media to create spaces for encounter, dialogue and joint action. At its core is the question of new forms of remembrance: How can historical experiences, testimonies of survivors and perspectives of the second and third generations be translated into joint action against violence, exclusion and authoritarian developments? Available for free download once it is completed, the toolkit will enable users to conduct workshops with different groups of people (schoolchildren, adults) independently, without further scientific or artistic support. It shall include step-by-step instructions with texts, sources and templates for discussion and feedback rounds.


&#60;img width="1000" height="750" width_o="1000" height_o="750" data-src="https://freight.cargo.site/t/original/i/214167d3d8b789afd545c374cddb264f488e131c24a183bb213815fb4c562558/IMG_3672.jpeg" data-mid="251091754" border="0"  src="https://freight.cargo.site/w/1000/i/214167d3d8b789afd545c374cddb264f488e131c24a183bb213815fb4c562558/IMG_3672.jpeg" /&#62;
&#60;img width="1000" height="660" width_o="1000" height_o="660" data-src="https://freight.cargo.site/t/original/i/6dbc9f5edf5b109417726437d4fd3f5c719f926c377263707c7c6e41817b2326/IMG_3655.jpeg" data-mid="251091752" border="0"  src="https://freight.cargo.site/w/1000/i/6dbc9f5edf5b109417726437d4fd3f5c719f926c377263707c7c6e41817b2326/IMG_3655.jpeg" /&#62;
&#60;img width="997" height="748" width_o="997" height_o="748" data-src="https://freight.cargo.site/t/original/i/e8366b412307b72102801c352fca34768fa9e5571c943c8cd8709cff82c228d5/f5df74fc-8b4b-44eb-bb8f-4074870239ea.jpeg" data-mid="251100074" border="0"  src="https://freight.cargo.site/w/997/i/e8366b412307b72102801c352fca34768fa9e5571c943c8cd8709cff82c228d5/f5df74fc-8b4b-44eb-bb8f-4074870239ea.jpeg" /&#62;
&#60;img width="1000" height="750" width_o="1000" height_o="750" data-src="https://freight.cargo.site/t/original/i/fd0aaa140499d77faba4a734307e68a12ad6a1396e0c2ed9a01d0d0d978fb5d1/IMG_3674.jpeg" data-mid="251091755" border="0"  src="https://freight.cargo.site/w/1000/i/fd0aaa140499d77faba4a734307e68a12ad6a1396e0c2ed9a01d0d0d978fb5d1/IMG_3674.jpeg" /&#62;
&#60;img width="1000" height="750" width_o="1000" height_o="750" data-src="https://freight.cargo.site/t/original/i/4d6b8327db2043975e4cf618b6886b2bb210affa4e9674cfd7a7d3423cf5a96a/IMG_3652.jpeg" data-mid="251100073" border="0"  src="https://freight.cargo.site/w/1000/i/4d6b8327db2043975e4cf618b6886b2bb210affa4e9674cfd7a7d3423cf5a96a/IMG_3652.jpeg" /&#62;
&#60;img width="1000" height="750" width_o="1000" height_o="750" data-src="https://freight.cargo.site/t/original/i/7331f89c7b2f84ce03e8a845738684da40b897254a23780c2e2aaed2a26b77e7/IMG_3689.jpeg" data-mid="251091756" border="0"  src="https://freight.cargo.site/w/1000/i/7331f89c7b2f84ce03e8a845738684da40b897254a23780c2e2aaed2a26b77e7/IMG_3689.jpeg" /&#62;
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&#60;img width="1000" height="763" width_o="1000" height_o="763" data-src="https://freight.cargo.site/t/original/i/e2abab6ef4c86463ea5503edc8f306b5cc85244152546fe4888fd896b9fc624b/IMG_3649.jpeg" data-mid="251091751" border="0"  src="https://freight.cargo.site/w/1000/i/e2abab6ef4c86463ea5503edc8f306b5cc85244152546fe4888fd896b9fc624b/IMG_3649.jpeg" /&#62;
photos © Anderwald + Grond

Programme of the Workshop
10:00 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Getting to Know Each Other: 
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Somatics: ATM for the eyes&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Introduction to resistance/fascism

11:00 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Personal Life Stories (Small Groups)
 &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp;Recognising disturbing moments &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp;What could I have done?

12:30 &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; 
Break


13:30 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Activist Tai Chi



14:00 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Historical and Artistic Contributions &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp;Sharpening Our Awareness of Injustice

14:45 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Coffee Break
15:00
Group Work: Imagine Rosa Riedl, the Guardian Ghost, helping you out in a difficult situation. &#38;nbsp;
What difference would it have made for you to have her there?
16:00 
Balance Training&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
16:20 
Discussion and feedback round – goodbye &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
17:00 
End

Resist Together! Modes of Coexistence is made possible by the generous support.&#60;img width="430" height="128" width_o="430" height_o="128" data-src="https://freight.cargo.site/t/original/i/4f3a6a406adcdbf6a6444bf62ba40dd3a1dd21f648b0c449a0270f461000f806/HASENHERZ.gif" data-mid="241593499" border="0" data-scale="35" src="https://freight.cargo.site/w/430/i/4f3a6a406adcdbf6a6444bf62ba40dd3a1dd21f648b0c449a0270f461000f806/HASENHERZ.gif" /&#62;
&#60;img width="1049" height="539" width_o="1049" height_o="539" data-src="https://freight.cargo.site/t/original/i/87e1caa782856e2f7f9852700ce344dbe5d25b76e869155e996201fbc302f7ce/Logo_ACF_Pretoria_grun_rechteck_web.png" data-mid="241593700" border="0" data-scale="20" src="https://freight.cargo.site/w/1000/i/87e1caa782856e2f7f9852700ce344dbe5d25b76e869155e996201fbc302f7ce/Logo_ACF_Pretoria_grun_rechteck_web.png" /&#62;
&#60;img width="1259" height="1904" width_o="1259" height_o="1904" data-src="https://freight.cargo.site/t/original/i/96090ba4a2159d9ecc3e021d75a02b4bab744e52093d59431b64c0e8248d1910/jewish_Museum.jpg" data-mid="241593699" border="0" data-scale="20" src="https://freight.cargo.site/w/1000/i/96090ba4a2159d9ecc3e021d75a02b4bab744e52093d59431b64c0e8248d1910/jewish_Museum.jpg" /&#62;




	&#60;img width="1000" height="675" width_o="1000" height_o="675" data-src="https://freight.cargo.site/t/original/i/8b0a1e149a838c1d2cadb791996bb81e83a446771e107be7376886596c700ccd/c0f90c14-3c1f-4b51-92fa-444faf95e105.jpeg" data-mid="251091750" border="0"  src="https://freight.cargo.site/w/1000/i/8b0a1e149a838c1d2cadb791996bb81e83a446771e107be7376886596c700ccd/c0f90c14-3c1f-4b51-92fa-444faf95e105.jpeg" /&#62;
The Johannesburg Holocaust &#38;amp; Genocide Centre

The Johannesburg Holocaust &#38;amp; Genocide Centre is a place of memory, education, dialogue and lessons for humanity. The JHGC explores the history of genocide in the 20th century with a focus on the case studies of the Holocaust and the 1994 genocide in Rwanda. As a centre of memory, education, dialogue and lessons for humanity, the JHGC focuses on human rights issues such as prejudice, racism, ‘othering’, antisemitism, homophobia and xenophobia.
FacilitatersRuth Anderwald + Leonhard Grond are artist-researchers and guest professors at ARC Artistic Research Center, mdw University of Music and Performing Arts Vienna (2025), and affiliate members of CSS Centre for Sensory Studies, Concordia University, Montreal/Tio’tia:ke. From 2021 to 2024, they have been professors for the Ph.D. in Art programme at the University of Applied Arts, Vienna. Their projects include EU-funded The Arts of Resistance (2024–25, CREA2027), ART WORKS! (2019–21, Erasmus+), and FWF PEEK-funded Navigating Dizziness Together (2020–24, AR 598),&#38;nbsp;Dizziness–A Resource (2014–17, AR 244). Having curated for Whitechapel Gallery London, Kunsthalle Wien,&#38;nbsp;or U-jazdowski Castle Warsaw, with curator Sergio Edelsztein,&#38;nbsp;they develop&#38;nbsp;Iliggocene–The Age of Dizziness (2025–28), a KSB-funded networked exhibition, performance, and discursive series with contributions by Amanda Beech, Colectivo Los Ingrávidos, Tim Etchells, a.o., in cooperation with KINDL Centre for Contemporary Art.Barbara Staudinger was born in Vienna, studied History, Theatre Studies, and Jewish Studies at the University of Vienna, and earned her doctorate in 2001. From 1998 to 2013, she worked at the Institute&#38;nbsp;for Jewish History in&#38;nbsp;Austria (St. Pölten), and&#38;nbsp;from 2005 to 2007, she&#38;nbsp;served as a curator at the&#38;nbsp;Jewish Museum in&#38;nbsp;Munich. From 2013&#38;nbsp;to 2018, she worked as&#38;nbsp;a freelance curator in&#38;nbsp;Vienna and was a member&#38;nbsp;of the curatorial team for&#38;nbsp;the Austrian exhibition at&#38;nbsp;the Auschwitz-Birkenau&#38;nbsp;Memorial (opened in 2021).&#38;nbsp;From 2018 to 2022, she&#38;nbsp;served as Director of the&#38;nbsp;Jewish Museum Augsburg&#38;nbsp;Swabia. Since July 2022,&#38;nbsp;she has been Director&#38;nbsp;of the Jewish Museum&#38;nbsp;Vienna.


</description>
		
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	<item>
		<title>EXHIBITION May 2025</title>
				
		<link>https://culture-of-resistance.eu/EXHIBITION-May-2025</link>

		<pubDate>Tue, 08 Jul 2025 12:36:53 +0000</pubDate>

		<dc:creator>Culture of Resistance</dc:creator>

		<guid isPermaLink="true">https://culture-of-resistance.eu/EXHIBITION-May-2025</guid>

		<description>
	
	Exhibition 
May 2025

	



	EUROPEAN CULTURE OF RESISTANCE
	Museum of Contemporary Art Zagreb

8.5.2025 – 21.6.2025

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; The exhibition The Arts of Resistance showcases artistic works created as a result of the project, including the outcomes of international workshops and research meetings held at the University of Applied Arts Vienna, an artistic intervention with public schools in Braunschweig, as well as reflections by young artists on resistance through artistic practice. The exhibition’s goal is to encourage critical thinking and dialogue about historical and contemporary forms of resistance against fascism, and to create an open space for new interpretations through art.&#38;nbsp;Newly created works will be presented in correlation with pieces from the MSU collection&#38;nbsp;that relate to themes of resistance and anti-fascism, as part of The Triggers exhibition cycle, thereby creating new relationships and interpretations of the exhibited artworks and the concepts they address.

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; At the intersection of international youth work, contemporary artistic research, and political education, the TAoR project also aims to examine artistic works and cultural products based on local examples as potential forms of resistance. To foster a pan-European understanding of fascism and art-based resistance, with the support of internationally recognised artists, young participants have explored and co-created artworks as expressions of resistance against fascism.


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Photos © Vedran Benović
On Friday, 9 May, from 10 am to 2 pm, the MSU Školica hall hosted a panel discussion organised as part of the project of the same name and the accompanying exhibition, presented at the Museum of Contemporary Art in Zagreb from 8 May to 21 June 2025.
Programme of the Symposium
9.5.202510:00 Welcome speech by Vesna Meštrić, Director of MSU

10:05 Ana Škegro: Presentation of The Art of Resistance project

10:20 Presentation of works created in the co-creative process&#38;nbsp;of The Art of Resistance project
11:00 Josip Jagić: Cartography of Resistance

11:15 Sanja Horvatinčić: Traces of Resistance: Material Culture of the National Liberation Struggle
11:30 Coffee Break

12:00 Vana Gović, Damir Gamulin Gamba: Remembering as an&#38;nbsp;Act – The Example of the Memorial Center “Lipa Remembers”
12:30 Nika Petković: Slana – a Radical Landscape

12:45 Closing discussion

13:00 Collective visit of The Art of Resistance exhibition


The Arts of Resistance is made possible by the generous support:

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Artistsselma banich,&#38;nbsp;MSU Youth Club (Nina Ćorić, Celina Damjanović, Emma Matijević, Mirta Mesić, Antonija Mužar, Bohdan Myshkov, Stella Poljak, Dorian Štih)
Ruth Anderwald + Leonhard Grond, Daniel Hammer, Theresia Heichinger, Carola von Herder, Anetta Luberda, Elena Rabkina, Lena Scharnreiter, Miriam Weichmann.
The sculpture created and workshops held in schools in Braunschweig were conceived and realised by the art mediation course at the Institute of Fine Art, Braunschweig University of Art, under the lead of Prof. Martin Krenn, in cooperation with RAHM architekten in Vienna. The participating students included Maria Ammann, Henadzi Arkhipau, Paul-Can Atlama, Dana Crasser, Natascha Faber, Xiaoming Huang, Fiona Jassmann, Nelly Khabipova, Laetitia Lentz, Hye-Hyun Kim, Merve Gisou Rosenthal, and Daphne Schüttkemper. Cooperation partners in Braunschweig: VHS Braunschweig. Content support and networking with schools: Anna-Sophie Schröder.

Damir Gamulin (Zagreb, 1974) is a Zagreb-based designer and researcher who works at the intersection of technology, disciplines and scale, spanning graphic, editorial, spatial and interactive design. His projects characteristically involve integrated methods of content development, editing and interpretation, expanding design practice into new contexts. Gamulin has participated in the Triennale di Milano (2022) and the Taipei Biennale (2020), and was the artistic director of the Croatian Pavilion at the Venice Biennale (2006), in addition to numerous regional exhibitions. He is the co-founder of the studio OO (Organized Design), a design and research practice, and has received multiple awards for his interdisciplinary work that connects curatorial strategies and design across different media.

Vana Gović Marković graduated in Art History and Ethnology in 2006 from the Faculty of Philosophy in Zagreb. She is a museum advisor at the Maritime and History Museum of the Croatian Littoral in Rijeka, where she works as the head of the Memorial Center “Lipa Pamti”. In her work, she deals with difficult heritage issues, connecting the culture of memory with contemporary art and participatory practices. From 2018 to 2021, she led the EU project Museum of the Future, within which, for the first time in Croatia, participatory museum management was successfully implemented. She is the author of a number of exhibitions, publications and professional articles.

Sanja Horvatinčić (Zagreb, 1987) is a research associate at the Institute of Art History in Zagreb. Her research focuses on the production of monuments and the culture of remembrance in socialist Yugoslavia, as well as on the politics of heritage and memory in the post-socialist context. She has participated in research projects dealing with the history of Yugoslav cultural policy and the Non-Aligned Movement, critical studies of memory and heritage, and digital art history. Since 2019, she has led the interdisciplinary heritage project Heritage from Below &#124; Drežnica: Memories and Traces 1941–1945. She is currently leading the project Digital Network, spatial and (con)textual analysis of artistic phenomena and heritage of the 20th century. She is the author of numerous scientific publications.

Josip Jagić (Zagreb, 1987) graduated from the Dr. Ivan Kranjčev High School in Đurđevac, and graduated in modern and contemporary history from the Faculty of Philosophy, University of Zagreb in 2015. He has been researching the structures of partisan resistance in Yugoslavia during World War II, on which he has published texts and books. Since 2019, he has been working at the Rosa Luxemburg Stiftung Southeast Europe as a project manager and political analyst.

Nika Petković (Rijeka, 1992) completed her undergraduate and graduate studies in filmology at the Faculty of Philosophy in Bologna, Italy, and since 2023 has been a doctoral student in the study of literature, culture, performing arts and film at the Faculty of Philosophy in Zagreb. From 2015 to 2018, she collaborated with the Bologna Cinematheque, the Il Cinema Ritrovato festival of classical and restored films, and the Home Movies archive of amateur and experimental films, as a researcher of archival materials on various film projects. Since 2021, she has also collaborated with the ZagrebDox documentary film festival as a film selector and host of interviews with authors, and since 2024 she has been employed by the 25 FPS association for audiovisual research, as a coordinator of the association and selector of film programs. In addition to film art, her area of interest is particularly focused on photography. She has exhibited in several group and solo exhibitions (Persona, 2019; Slana - radical landscape, 2021; Tok, 2023).

Ana Škegro is a senior curator, Head of the Experimental and Research Department and Head of the Media Art Collection at the Museum of Contemporary Art in Zagreb. She worked as a freelance curator, exhibition producer, and program manager on various projects since 2013. From 2017 until 2021 she worked as a curator of international projects and Head of the Education Department at the Museum. She founded the MSU Youth Club in 2016, which she continues to mentor through collaborative and co-creative projects like From Another Angle, Art Works! and podcast Tobogan. She has curated, produced and organized numerous exhibitions and projects.


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	</item>
		
		
	<item>
		<title>EXCHANGE WEEK August 2024</title>
				
		<link>https://culture-of-resistance.eu/EXCHANGE-WEEK-August-2024</link>

		<pubDate>Tue, 03 Sep 2024 14:40:18 +0000</pubDate>

		<dc:creator>Culture of Resistance</dc:creator>

		<guid isPermaLink="true">https://culture-of-resistance.eu/EXCHANGE-WEEK-August-2024</guid>

		<description>
	
	Exchange Week August 2024

	



	EUROPEAN CULTURE OF RESISTANCE
	The Arts of Resistance

24.8.2024 – 2.9.2024

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; During this 10-day Exchange Week in Vienna, young people from different countries and backgrounds met, exchanged and discussed resistance against fascisms. This community of learning included young people, artists, artist-researchers, activists, scholars, and members of art institutions (Youth Club, MSU Zagreb; students of HKB Braunschweig, students from University of Applied Arts; artists from Office Ukraine-Support for Ukrainian Artists Network) who share a common concern and interest in cultural expressions of resistance. They engaged in collective critical inquiry and creative reflection. This exchange week explored resistance against fascisms as a performative, artistic, transcultural, historical, activist, and educational instrument of realizing (European) community. Renowned artists, curators,  education experts, and scholars hailing from Europe, the US, India, Iran and Israel discussed openly artistic, activist, and communal possibilities of fighting fascist tendencies. The 10-day event assembled excellent artistic, curatorial and educational practices with divergent perspectives on the topic - from remembrance cultures to art to activism - to develop a new imagination of cooperation beyond friction, polarisation, and wars.

 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; This exchange meeting created a platform and basis for cooperation across cultural, historical, geographical, social, and educational differences to address the challenges of the present, specifically how to find a new culture of socio-political and artistic expression of resistance against fascisms while coming together on a European level.&#38;nbsp;

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Photos © eSeL
Programme
24.8.2024
Arrival in Vienna



25.8.2024

13:00-15:00 Welcome: Introduction to the ZFF, project, programme, and expectations @ ZFF


15:30-17:30 Excursion: PROTEST/ARCHITECTURE Barricades, Camps, Superglue @ MAK


17:30-20:00 Communal Dinner @ ZFF


26.8.2024

10:00-12:00 Opening Workshop: Jo O’Brien, Sustainable Resistance: Slow Beginnings for Durational Action @ ZFF


13:00-15:00 Exchange and Introduction of the hree Groups @ ZFF


15:30-17:30 Workshop Anderwald + Grond: What is Critique? @ ZFF


27.8.2024
10:00-12:00 Excursion @ Documentation Centre of Austrian Resistance (DÖW)


15:30-17:30 Contribution HBK Braunschweig @ ZFF


17:30-20:00 Screening: Aufzeichnungen zum Widerstand (Notes on Resistance), Martin Krenn (Engl. Sub.) @ ZFF
28.8.2024

10:00-12:00 Contribution MSU Zagreb @ ZFF


15:30-17:30 Guided Tour Through the Neighbourhood,&#38;nbsp;Anderwald + Grond @ ZFF


17:30-20:00 Concert and Conversation singer-songwriter Robert Rotifer @ ZFF


29.8.2024
10:00-12:00 The Last Days of Democracy, artist Deborah Sengl with director Barbara&#38;nbsp;Staudinger/chief curator Hannes Sulzenbacher, @ Jewish Museum

12:00- Vienna shows Vienna


30.8.2024
10:00-11:30 Contribution: Preeti Kathudria, Activism and New Perspectives in Indian Contemporary Art:Response to the Agrarian Crisis @ ZFF


12:00-13:30 Workshop: Gelavizh Abolhassani, Politics and Art. An Iranian Perspective. @ ZFF


15:30-16:30 Workshop: Bezalel Guidelines (Ruth Mateus-Berr, Ruth Anderwald + Leonhard Grond) @ ZFF
17:30-20:00 Roundtable: Art Education in Times of War with Barak Pelman, Liat Brix Etgar, Adi&#38;nbsp;Stern, mod.: Ruth Mateus-Berr, Ruth Anderwald + Leonhard Grond) @ ZFF
31.8.2024
10:00-12:00 Workshop: Introduction to the Collection MSU Museum of Contemporary Art&#38;nbsp;Zagreb @ ZFF



13:00-15:00 Workshop: Exhibition Preparation for May 2025 at MSU Zagreb @ ZFF


15:30-17:30 Screening and conversation: Widerstandsmomente (Moments of Resistance), (Engl. Version), Jo Schmeiser @ ZFF


01.9.2024

10:00-12:00 Wrap-Up: Where do we go from here? (for all participants) @ ZFF


13:00-15:00 Institutions’ Next Steps (Organisation: Exhibition, Publication) @ ZFF


15:30-16:30 Evaluation with Questionnaires @ ZFF


16:30-17:30 Preparing the Party @ ZFF


17:30 Farewell Party @ ZFF


02.9.2024

09:00-12:00 Departure/Clean Up
The Arts of Resistance is made possible by the generous support:

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University of Applied Arts, Vienna
ContributorsDr.Phil. Gelavizh Abolhassani (IRN) is an Iranian scholar, artist, and visual-graphic designer. She earned her Bachelor’s degree in Visual Art from the University of Science and Culture in Tehran, Iran, and her Master’s degree in Graphic Design and Communication from the University for the Creative Arts in London, UK. She earned her doctorate (Dr. phil.) in Philosophy of Arts from the University of Applied Arts Vienna (Die Angewandte). Her research explores the historical ties between art and theory, with a particular focus on art and artist autonomy in both Iran and Austria. She has showcased her art projects and theoretical artistic research at multiple exhibitions and events, including lectures, across Iran and Europe.

Ruth Anderwald + Leonhard Grond (AT) work as an artist and artistic research collective. Their work has been exhibited internationally, e.g., at Whitechapel Gallery, London, Centre Pompidou, Paris, MAK Vienna, Himalayas Art Museum, Shanghai, or Tate Modern, London. They have curated screening programs and exhibitions at Kunsthaus Graz, U-jazdowski Castle, CCA Warsaw, mumok Vienna or CCA Tel Aviv. Their long-term, cross-disciplinary artistic research projects include Dizziness-A Resource (2014-2017), and currently Navigating Dizziness Together (2020-2024), University for Applied Arts Vienna, funded by the Austrian Science Funds; and The Construction Site of Remembrance, in connection to the renewal of the Austrian Exhibition at Memorial and Museum Auschwitz-Birkenau, Poland (2018-2021) is commissioned by the Austrian National Funds. 
Selma Banich (CRO) is a performing artist, born in Yugoslavia and lives in Zagreb. She has worked independently and in collaboration with other artists, curators, groups, and initiatives in the Balkans, across Europe and in the US. She creates in the medium of performance art, through actions and interventions in the public space, and engaged public practices in communities. She was previously involved in numerous dance, theater and opera productions as a choreographer. She also performs on film. Art films she was engaged in were screened worldwide. Her artistic and social practice is based on processual, research and activist work and is politically inspired by anarchism and feminism.

Liat Brix Etgar (ISR) is an architect and educator who is currently the vice president of academic affairs at Bezalel. She established and led the Arts and Design Teaching Center at Bezalel and the Civic Architecture Unit at the School of Architecture. The Civic Architecture Unit focuses on civic education and creating platforms for partnerships with residents, planning organizations, and civil society organizations in Israel to promote social, environmental, and economic justice through planning and design tools.&#38;nbsp; Liat holds a degree in architecture from Bezalel Academy of Arts and Design Jerusalem and an MA from the Cohn Institute for the History and Philosophy of Science and Ideas at Tel Aviv University (summa cum laude), where she wrote her thesis about the Spatial-Political Lexicon of Jean Luc Nancy. In addition, she is a founding partner of Etgar Null Architects studio based in Tel Aviv.

Jo O’Brien (US)&#38;nbsp;is an artist, educator, and researcher whose work explores the queer-crip potential of confusion as both a form of resistance and call for collaboration. Their artistic research practice includes material and social forms of art-making, and access-oriented pedagogy and community building in the University context. Jo’s work is often collaborative, and their pedagogical research has been supported through fellowships and grants. Their doctoral project at the University of Applied Arts Vienna examines the relationship between legibility and illegibility, confusion, and community. Jo is also a Lecturer in the Faculty of Culture and Community at Emily Carr University of Art + Design.Preeti Kathuria (IND) is a writer, curator and researcher. She holds post-graduate degrees in History of Art from the National Museum Institute, New Delhi and in Curating&#38;nbsp;Contemporary Art from the Royal College of Art, London. She has worked as&#38;nbsp;Assistant Editor, Contemporary Art with the Lalit Kala Akademi (National Academy&#38;nbsp;of Art), New Delhi and has been writing on contemporary art for various art journals&#38;nbsp;and magazines. Besides critical writing and editorial work, she has taught visual art&#38;nbsp;at several universities and colleges. At present she is a PhD researcher at the&#38;nbsp;University of Applied Arts, Vienna.Martin Krenn (AT) is an artist, artistic researcher and curator. He works as a professor of art mediation/education at the Institute of Fine Art, Braunschweig University of Art and as a lecturer at the Vienna Master of Arts in Applied Human Rights at the University of Applied Arts Vienna. Krenn uses various types of media, including text, photography and video. Most of his projects in public space take the form of social sculpture. By consistently expanding the field of art, he tries to initiate discussions about socio-political topics and thereby challenges conventional thinking.Ruth Mateus-Berr (AT)
 is an Austrian conceptual artist. She has created drawings, paintings, sculptures, videos, installations, performed and worked with various media. She is a professor at the University of Applied Arts Vienna and also a multi-sensual design researcher, always exploring new fields. Her award-winning works deal with artistic research, critical design, digital humanism, the social development goals, urbanism, art &#38;amp; dementia and health. Her latest artistic research project "DEMEDARTS" (funded by FWF PEEK AR-609) aims to awaken more empathy for people with dementia in our society. 
Barak Pelman (ISR) is a senior lecturer at the Bezalel School of Architecture and the director of the Hybrid Pedagogy Lab, an interdisciplinary research initiative dedicated to advancing the theory and practice of art, craft, and design education. Barak is a member of Bezalel's Art and Design Teaching Center, where he develops workshops for design learning and is part of the team that developed Bezalel guidelines regarding freedom of expression and creation.
Robert Rotifer (AT) is an Austrian musician, music journalist and radio presenter living in Canterbury. His grandmother is the resistance fighter, politician (KPÖ) and philanthropist Irma Schwager. The video for The Frankfurt Kitchen a combination of live-action film and Rotifer's paintings animated by Lelo Brossmann (Heinz aus Wien), was presented at New York's Museum of Modern Art in 2010 and has been included in the collection there.
Jo Schmeiser (AT) explores the interfaces of art, film, theory, and politics. She often works collectively, focusing on issues including racism, sexism, and anti-semitism and reflecting critically on their form and structure. Films: WIDERSTANDSMOMENTE/MOMENTS OF RESISTANCE (Plaesion Film: 2019, A/D), LIEBE GESCHICHTE/LOVE HISTORY (Klub Zwei: 2010, A). Publications: Conzepte. New Versions of Political Thought (www.conzepte.org: 2015)

Deborah Sengl (AT) is an Austrian painter and artist. For her museum presentation the Austrian artist Deborah Sengl has created an installation that combines history, literature and contemporary art in an extraordinary way. With some 200 stuffed white rats, she is staging The Last Days of Mankind after Karl Kraus in 44 individual scenes. 

Ana Škegro (CRO) is senior curator, head of experimental research at the Museum of Contemporary Art (MSU) Zagreb and Mentor of the Youth Club. The Museum Of Contemporary Art Youth Club brings together a group of young people aged 17 to 27 years who are taught by the Museum of Contemporary Art's educators about contemporary art and culture, the importance, role and work of the Museum. These young people are encouraged to actively participate in designing and implementing individual programs from various areas of museum activities. 
Barbara Staudinger (AT) is the director of the Jewish Museum Vienna and was part of the curatorial team of the renewal of the Austrian Exhibition at Memorial and Museum Auschwitz-Birkenau. Her recent exhibitions include The City Without (Jews, Muslims, Refugees), Schalom Sisters*!. Further exhibitions at Volkskundemuseum Vienna, Jewish Museum Vienna, Wien Museum, Welt Museum Vienna focusing on Jewish history and cultural history and interventions on the topic of Jewish history and migration history. 
Adi Stern (ISR) is the current president of Bezalel Academy of Arts and Design, Jerusalem, Israel’s first and leading art and design academy. He is a graphic designer, type designer, and design educator who graduated from Bezalel and received his Master’s in Typeface Design from the University of Reading, UK. Adi’s works have been exhibited internationally and have won several awards, including the Tokyo Type Directors Club (TDC) Prize and the New York Art Directors Club Silver and Bronze awards. Additional recognition has been garnered from TDC New York, Design and Art Direction (D&#38;amp;AD), the International Society of Typographic Designers (ISTD), the Society of Environmental Graphic Designers (SEGD), and the Israeli Ministry of Education and Culture Design award.
 

Locations&#38;nbsp;
Zentrum Fokus Forschung (ZFF)University of Applied Arts, ViennaRustenschacherallee 2-41010 Vienna
http://www.angewandte.at/Museum of Applied Arts (MAK)Stubenring 5 
1010 Viennahttps://www.mak.at/en


Documentation Centre of Austrian Resistance (DÖW)

Wipplingerstraße 6-8, 1010 Vienna
https://www.doew.at/english


Jewish Museum Vienna
Dorotheergasse 11, 1010 Vienna&#38;nbsp;
https://www.jmw.at/enUseful Links
Project page: http://www.culture-of-resistance.eu


Martin Krenn, Aufzeichnungen zum Widerstand (Notes on Resistance): https://www.martinkrenn.net/?page_id=1025


Guidelines for Free Speech and Creative Freedom in Wartime: https://aboutspeech.bezalel.ac.il/en


Jo Schmeiser, Widerstandsmomente (Moments of Resistance): http://www.widerstandsmomente.at/en/



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